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الدور التشكيلي للفراغ لتحقيق القيم الفنية للمشغولة المعدنية

العنوان بلغة أخرى: Round Plastic Vacuum to Achieve the Artistic Values of the Mineral Busy
المصدر: مجلة بحوث في التربية الفنية والفنون
الناشر: جامعة حلوان - كلية التربية الفنية
المؤلف الرئيسي: العجمي، أماني فوزي عبدالحميد (مؤلف)
المؤلف الرئيسي (الإنجليزية): Al-Agamy, Amany Fawzy Abdel Hamed
المجلد/العدد: ع43
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2014
الصفحات: 1 - 10
ISSN: 2682-2849
رقم MD: 777614
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: EduSearch
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المستخلص: The emptiness of the important issues that dealt with many of the studies and research by scientists and philosophers throughout the ages different. Due to the multiplicity of areas of art were several ways processors vacuum and concepts, "void an essential element of the elements that go into building design and image poignant images of the energy it contains, affect the activities of formal elements other and are affected by it" (1) It is noted that the vacuum in modern art has become an important element of the configuration Technical enter that artists are at the heart of the process of forming and features contemporary art definitely damaged between form and emptiness there is no difference between the vacuum and figure everyone emphasizes the unity of action Alphena.oamthel vacuum element Cecchelaa an important role in the concept of modern art and little "Mahmoud Bassiouni" that vacuum for modern art is the space occupied by the artwork, whether flat or three-dimensional (2) It is a historical Valmtaatba of the history of technical development for the formation of a vacuum in the picture finds that there is a series of intellectual developments and Fine for this element, while I went religious images in the era of Jyotouccimaboe and others to address the background stereochemistry for the icon Bmstah doctrine, we find in the transition period another busy some photographers combining form and emptiness of different environments, was the artist of the Islamic vision, especially in the use of the vacuum as a painter in the arts Art is the Muslim may eat "vacuum differently, where he was associated with the formulation of the design elements in the light of religious belief This latest exchange between the shapes and void as a result of interest in vacuum before his interest in the form, not the vacuum since ancient times for granted, where there were two teams, one confirmed and the other denies, and the idea of the existence of absolute emptiness associated mainly theories aware of corn, citing "Joseph blank" about the vacuum where found some of the scientists and philosophers such as Damqratis and Oukibus and Epicurus it has to be the presence of the space between the atoms so you can move it "(3) and employ space vacuum window or non-window surface of the artwork is one of the criteria that can be employed to achieve the interoperability of vision visual confirmation of relations aesthetic and increase the trend for a taste of the technical and aesthetic concepts and ingredients structural and compositional, and I've dealt with some of the studies in the aesthetics of art and the laws of nature, and the failure of relationships and structures and systems technical forms "nature is full of such systems and structures that are sure to have general laws govern the structure and access to the knowledge of those laws unfold concepts and aspects of building form in nature, which can take advantage of them or inspired in Business Round plastic vacuum to achieve the artistic values of the mineral busy Technical and guided by the criticism and appreciation of artistic work"(1 The line is an important element of composition "and differs influence cognitive and aesthetic of the line depending on the way he was in the work of art, the present line is checked with other elements in the image of the limits of the forms or dividing them or a component of the details of the Interior, was present also line solo to play the role of structural and expressive full artwork in this case is described, for example, works as formations linear or configurations sin. "(2) The contemporary art may teem with examples that deal with the laws of the strong steric lines, so that the lines that contain a vacuum, and the resulting curse of the form holds aesthetic values and dimensions of philosophical , Among the most prominent of these configurations artist Soto, who believes that it is possible to achieve a new place that blends the artwork and the viewer, and there is an example of an artist krissa invested the strong lines stereochemistry in the form of a synthesis raises the viewer a sense of movement, as a result of the movement constitutes pipelines neon bright and Tgmaaha in forms exchange relations with the vacuum, which gave the work and the spatial temporal dimension "(3 ) The emptiness of the active ingredients with lines that have actively interstitial, it is not just a part of the vacuum cosmic ocean lines, but that material in itself has the ability Ali arrived in the lines to each other, represents the kind of shapes does not differ from them is that "the form of an ethereal easy the movement

ISSN: 2682-2849