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|3 10.51837/0827-000-040-048
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|a ara
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|b العراق
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|a علي، إبراهيم جابر
|g Ali, Ibrahim Gaber
|e مؤلف
|9 449228
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242 |
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|a Visual Rhythm:
|b A Semiotic Approach
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245 |
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|a الإيقاع البصري:
|b مقاربة سيميائية
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260 |
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|b الجامعة الإسلامية
|c 2016
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300 |
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|a 635 - 654
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|a بحوث ومقالات
|b Article
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|b This study seeks monetary outlook towards deepening perception of rhythm, and it entered a new art room, is the field of linear image. This study comes as a second step after the first step studied the written form of the modern Arab poem. The visual rhythm theory in this study on two key point: The first iteration of the place. The second place on the coordination. This hypothesis was applied to the plates calligraphy, because it is the most important Arab language, which did not enter the field of literary criticism Arts, at the time, which has expanded the field of literary criticism to other artists such as Rictr and advertisements.
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653 |
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|a الإيقاع البصري
|a النقد اللغوي
|a أنواع الخط
|a الخط العربي
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773 |
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|4 الدراسات الإسلامية
|6 Islamic Studies
|c 048
|e The Islamic University College Journal
|f Mağallaẗ al-kulliyyaẗ al-islāmiyyaẗ al-ğāmiʻaẗ
|l 040
|m ع40
|o 0827
|s مجلة الكلية الإسلامية الجامعة
|v 000
|x 1997-6208
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856 |
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|u 0827-000-040-048.pdf
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|d y
|p y
|q n
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|a IslamicInfo
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999 |
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|c 800148
|d 800148
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