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|a ara
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| 100 |
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|9 428016
|a تاج الدين، علي عامر جابر
|e مؤلف
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| 245 |
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|a الأسطورة السومرية في شعر خزعل الماجدي
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| 246 |
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|a Sumerian Myth in Khazal ALmajidi Poetry
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| 260 |
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|a الحلة
|c 2015
|m 1436
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| 300 |
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|a 1 - 191
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| 336 |
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|a رسائل جامعية
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| 502 |
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|b رسالة ماجستير
|c جامعة بابل
|f كلية التربية للعلوم الانسانية
|g العراق
|o 0021
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| 520 |
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|a After the completion of Tnzirat this research, procedures and stand –hsp cultural actions Almtbah- the most prominent patterns controlling hair Khazaal Majidi, also stand on the most prominent Sumerian myths that the abuse, and the quality of that engagement, forms and end of it, because each search Eetmoda about the triad of questions: Where ? And how? And why? , Which tried to Find implicitly answer was to reach many of the results of this most important: 1. Sometimes the researcher finds that Khazaal Majidi mention of their names shall be gods myth and clear in the poem, and sometimes be with him hiding in the folds of the poem nor manifested only after reflection. 2. Take Majidi freedom to dispose of the content of the myth in his poem, once guaranteed as they are (and that is not favored by the researcher), and once again it distorts, or an increase or decrease or delay the provision, and the other turns the theme legend. 3. reasons refuge poet to legend are: Art (aesthetic), and political, and cultural. 4. Focus on the myth of the poet (Inanna and Dmosze) all Timha, and symbols, and rituals upon which, -as would think would Albages- poets Altmoziyn, therefore necessitate their presence in the chapters Find all. 5. the existence of most of the Sumerian mythology in the first part of the work Khazaal Majidi and containing aggregates (Atlas east and physics anti - Poems picture - Anahit - Hear, hear music gray gold - gypsy scripts). Note that the capillary distribution of aggregates on the parts was not as close to their subjects by sequence is released, so it was the title Introduction The first part is (the eastern hair) This part was full of myths east. 6. Because of the previously mentioned and after observation and scrutiny, we found that Khazaal hair does not contain the legend only, but all the old eastern customs and rituals and religions, including the magic and divination and hymns Paper and talismans, as well as Tnasath with proverbs Sumerian literature Mesopotamian in general, with repetition and duplication linguist, and pre-empt the results – sometimes.
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| 520 |
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|a 7. The poet Legends Mesopotamia more than others (Persian - Syria -kanaanah -mbarh - Agriqih- Roman). 8. reflected Layout male - at most - in poems and compositions containing myths of creation and configuration Sumerian, Sumer fact that no society Omomcia hundred percent as is customary in advance, He formed this pressing element on the thought Majidi as a major myth narrative her power and dominance over the texts. 9. In most of his poems and choruses where the little woman, or myths about women and particularly (Inanna, or Nnkhursag) transcend female pattern in general and, in particular, motherly. 10. After the procedures of this research, I won a two models Bdiaan new models for the initial two Alyongah: Model (Dmosze / July) god slain young man who was to betray his wife, model (Inanna / Ishtar) rebel goddess. 11. The Khazaal Majidi's speech is the speech is Medlj because it is far from metaphysics theocracy, and far from the national vision, and far from communist socialism because nature that inspired elements are visions of materialist philosophy pre Karl Marx stage, but the Mesopotamian myth that the similarity with a far cry from those destructive totalitarian ideas. 12. After the procedures of this research I won a model the initial / initial pattern (Iraqi hero Relapser), a special pattern in Iraq and its literature and culture. 13 .an non-religious lines (existential) does not Eetmzar in these texts mentioned in the research and associated with only a myth, but it exists in many other texts Research Title Bzla not allowed. 14. The poet way of thinking (spiritual) is the same way the Middle East thinking At Alhadit- age, but he has been more contained than a lot of awareness, which has a constructive somewhat similar to the way the Sufi thinking, when Middle Easterners ridiculous and reactionary and contain a lot of attachment the past and not to adhere to the time and place experienced by the individual that was the consequence of the emergence of religious extremism Salafist movements that confiscates private freedoms, and the confiscation of public freedoms of all other movements. 15. Majidi prove to the recipient during -mn reproduce texts Alsomreh- Sumerian poet as new owners of a descendant of those warheads Alsod. 16. cultural Tnasath with Sumerian literature, not only text, any acculturation The most prominent features in this search. 17. Whatever the language of the poet Airoseh they are not obscene and Qasfh, because it is seen through the spirit of the body and its> relationship to women is a cultural relationship not physical. And I can say about it is a legendary language. 18 .tries to create a new society religion be interconnected with the Sumerian religion.
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| 653 |
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|a الشعر العربي
|a الشعر والأسطورة
|a الدواوين والقصائد
|a الماجدي، خزعل
|a الأسطورة السومرية
|a لغة الشعر
|a نقد الشعر
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| 700 |
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|a كاظم، أوراد محمد
|g Kazem, Awrad Muhammed
|q Kazem, Orad Mohammed
|e مشرف
|9 296489
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| 856 |
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|u 9805-010-016-0021-T.pdf
|y صفحة العنوان
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| 856 |
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|u 9805-010-016-0021-A.pdf
|y المستخلص
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| 856 |
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|u 9805-010-016-0021-C.pdf
|y قائمة المحتويات
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| 856 |
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|u 9805-010-016-0021-F.pdf
|y 24 صفحة الأولى
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| 856 |
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|u 9805-010-016-0021-0.pdf
|y الفصل التمهيدي
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| 856 |
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|u 9805-010-016-0021-1.pdf
|y 1 الفصل
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| 856 |
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|u 9805-010-016-0021-2.pdf
|y 2 الفصل
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| 856 |
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|u 9805-010-016-0021-3.pdf
|y 3 الفصل
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| 856 |
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|u 9805-010-016-0021-O.pdf
|y الخاتمة
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| 856 |
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|u 9805-010-016-0021-R.pdf
|y المصادر والمراجع
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| 930 |
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|d n
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| 995 |
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|a Dissertations
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| 999 |
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|c 805350
|d 805350
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