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الرئيسية > قصيدة النثر العراقية :...>الوصف
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قصيدة النثر العراقية : دراسة في الأنساق الثقافية

المؤلف الرئيسي: صالح، هيثم كاظم (مؤلف)
المؤلف الرئيسي (الإنجليزية): Salih, Haitham Kadhum
مؤلفين آخرين: مكلف، سوادي فرج (مشرف)
التاريخ الميلادي: 2015
موقع: البصرة
التاريخ الهجري: 1436
الصفحات: 1 - 158
رقم MD: 811313
نوع المحتوى: رسائل جامعية
اللغة: العربية
الدرجة العلمية: رسالة دكتوراه
الجامعة: جامعة البصرة
الكلية: كلية التربية للعلوم الانسانية
الدولة: العراق
قواعد المعلومات: Dissertations
مواضيع:
الشعر العربي | الشعراء العراقيون | العصر الحديث | نقد الشعر | القصيدة النثرية
رابط المحتوى:
صفحة العنوان     
المستخلص     
قائمة المحتويات     
24 صفحة الأولى     

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المستخلص: The current study addresses the cultural norms in the Iraqi prose poem, as it represents a trial to detect the control and prevalence of such norms in the discourse of the poem. The study also reveals the directions of norms domination in the message of the prose poems, as well as the detection of the revival of old cultural norms in new verses. The current study takes the Iraqi prose poem as field of researching as the latter represents a phenomenon that apply the same conditions of cultural criticism and norm requirements. The prose poem indeed is a puzzling and encrypted production having the potential of cultural mystification around it. The study is made of three chapters, introduction, and a conclusion, followed by a list of references and bibliography, with an abstract and a table of contents. The first chapter is entitled "The Prose Poem and Cultural Norms" which starts with introduction of two sections; the first of which is entitled "Norms (emergence, concept, and interference)", while the second section is entitled "Norms between Breach and Revival". The last section carries two directions; the first of which is "Prose Poem and Breach of Norms", and the second is "Prose Poem and Revival of Norms". This section represents theorization about the norms, their emergence, interference with culture, then their domination, and prevalence in the prose poem examined to detect its breach of cultural norms, with applied texts of that breach, then the way of norms revival thereto, the way of getting norms back into original forms, and the untold in their discourse.

The second chapter is entitled "Poem of Centre and Cultural Norms" which is made of an introduction and three sections. The first of which is "Prose Poem and Domination Norm" while the second section is "Prose Poem and the Norm of Abuse" formed of two directions; the first direction is "Abuse of Others/ The Black", and the second direction is "Abuse of Others/ The Woman". Then comes the third section, which is "Prose Poem and the Norm of estrangement". The last chapter includes applied texts concerning the issue of cultural norm and its revival in the discourse of prose poem. This chapter revealed some inherited and normal ideas like (Masculinity / Class) and Death haunted the Iraqi individual. Therefore, the poetic verses come to sustain such ideas and reinforce them with the idea of old norms revival with new aesthetics. The chapter also make clear the modality of the return of center and margin in the poem texts claiming the margins equity, in time other centers are created in conflict with new margins. The third chapter is entitled "Margin Poem and Cultural Norms" also formed of an introduction and two sections; the first of which is "Kurdish Prose Poem, which in turn consists of two directions (The first is Prose Poem and Ego Norm, and the second is Prose Poem and Revenge Norm), while the second section is entitled "Femininity Prose Poem". The second section carries three directions. These directions are "Prose Poem and Subordination Norm", "Prose Poem and Centrism Norm", and "Prose Poem and Violence Norm". This chapter is also an applied one as well, as the researcher employs poetic verses implying the cultural norm, with the potentiality of cultural interpretation, encrypted texts, showing Revolutionary characteristics, implying the norm or appeasement. Thus, the chapter shows the creation of cultural norms and their inheritance in various people classes, whether centered in culture or Marginalized. As shown above, the study revealed the control of cultural norms over our discourses, their effect our vision of life, and communication with others. Later, the poem is seen to have created a new center parallelized to the center of old texts. Therefore, the Iraqi accomplishment of prose poem may have potential reactionary roots and dictatorship, as well as having the possibility of revolutionary origins and progressiveness. Hence appears the effect of cultural norm, which gets deeply rooted as more as it is thought to be retroactive or impairment. That's what is revealed through the course of this study, and tried to be shown in this thesis.

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