Black Comedy in Joseph Heller’s Catch-22 and Gamal Abdel Maksood's The Man Who Ate a Goose
| المصدر: | مجلة البحث العلمي في الآداب |
|---|---|
| الناشر: | جامعة عين شمس - كلية البنات للآداب والعلوم والتربية |
| المؤلف الرئيسي: | Abd Alhamid, Salman Mohammed Salama (Author) |
| المجلد/العدد: | ع15, ج4 |
| محكمة: | نعم |
| الدولة: |
مصر |
| التاريخ الميلادي: |
2014
|
| الصفحات: | 343 - 374 |
| ISSN: |
2356-8321 |
| رقم MD: | 817219 |
| نوع المحتوى: | بحوث ومقالات |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| رابط المحتوى: |
عدد مرات التحميل
9
| المستخلص: |
Black humor is a form of humor that regards human suffering as absurd and considers human existence as ironic and pointless. Black Comedy was a central concern in the literary work of both Joseph Heller and Gamal Abdel Maksood. Both writers attempted to present their texts as typical stinging criticism to the ideology they satirize. The conflicts and the disappointing political conditions that surround people have led to the development of Black Humour in English and Arabic literature in general and in American and Egyptian culture in particular. The dominance of black humor in Joseph Heller’s Catch-22 and Gamal Abdel Maksood's The Man Who Ate a Goose posits the inevitable presence of black humor in times of war and conflict in human society, as humans pursue power, status, and ultimately, survival. More commonly described as the humour that deals with unpleasant aspects of life in a bitter or ironic way, Black Humour became one of the American and Egyptian people’s important ways to express their feelings of disillusionment and hopelessness. Indeed, this is the central theme that emerged in Joseph Heller’s novel, Catch-22 and Gamal Abdel Maksood's three-act play The Man Who Ate a Goose. |
|---|---|
| ISSN: |
2356-8321 |
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