LEADER |
01985nam a22002297a 4500 |
001 |
1591191 |
024 |
|
|
|3 10.51837/0827-000-043-025
|
041 |
|
|
|a ara
|
044 |
|
|
|b العراق
|
100 |
|
|
|9 449285
|a عويد، أنوار جاسم
|g Owaied, Anwer Jasim
|e مؤلف
|
242 |
|
|
|a Manifestations of The Art of Figures of Speech in The Sermons of Imam Hussein, Peace Be upon Him
|
245 |
|
|
|a تجليات فن البديع في خطب الإمام الحسين عليه السلام
|
260 |
|
|
|b الجامعة الإسلامية
|c 2017
|
300 |
|
|
|a 259 - 275
|
336 |
|
|
|a بحوث ومقالات
|b Article
|
520 |
|
|
|b The Oratory of Imam Hussein (PBUH) characterized by the aestheticism of Imaging and the splendor of Expression. This stems from the objective honesty which represents the address of the Case the He sacrificed for and gets the martyrdom in the way of Allah. So the light sheds on those speeches is very important matter. Because the art of Badi is no longer limited on the verbal side but also responsible on the meaning outpourings, so through the research we noticed that most of the arts that employed by Imam Hussein (PBUH) in his speeches such as rhyme, alliteration and repetition were used in order to reinforce the musical side, who works on attraction the receiver, as well as the manner of opposition. It is splendid to mention the thing with its contrary. While the extraction, the implication and the division was spontaneously employed without affectation because when it exists the text will be disharmony.
|
653 |
|
|
|a فن البديع
|a الخطاب الحسيني
|a الإمام الحسين
|
773 |
|
|
|4 الدراسات الإسلامية
|6 Islamic Studies
|c 025
|e The Islamic University College Journal
|f Mağallaẗ al-kulliyyaẗ al-islāmiyyaẗ al-ğāmiʻaẗ
|l 043
|m ع43
|o 0827
|s مجلة الكلية الإسلامية الجامعة
|v 000
|x 1997-6208
|
856 |
|
|
|u 0827-000-043-025.pdf
|
930 |
|
|
|d y
|p y
|q n
|
995 |
|
|
|a IslamicInfo
|
999 |
|
|
|c 835326
|d 835326
|