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Ribirth into Blackness in Gwendolyn Brooks’ in the Mecca

المصدر: مجلة جيل الدراسات الأدبية والفكرية
الناشر: مركز جيل البحث العلمي
المؤلف الرئيسي: Ahmed, Amany Abdelkahhar Aldardeer (Author)
المجلد/العدد: ع35
محكمة: نعم
الدولة: لبنان
التاريخ الميلادي: 2017
الشهر: نوفمبر
الصفحات: 127 - 140
DOI: 10.33685/1317-000-035-001
ISSN: 2311-519X
رقم MD: 850835
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: AraBase
مواضيع:
كلمات المؤلف المفتاحية:
Rebirth | Blackness | Awareness | Movements | Integration Identity | Poverty, oppression and Persecution
رابط المحتوى:
صورة الغلاف QR قانون

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المستخلص: Brooks's awakening and her rebirth into blackness are represented in her works, In the Mecca (1968) and Riot (1969). These two works encompass new dimensions in Brooks's way of writing and indicate the change in almost all her poetic aspects. The new black experience which Brooks has acquired after the awakening turned her from being an assimilationist poetess into an activist and a protester. Brooks's poems after 1967 have undergone thematic change. Brooks's major interest after the awakening was to urge black characters to be aware of their black beauty, pride and more importantly their black identity. This change greatly affected her content, tone, form and style of writing. In the Mecca and Riot clearly reflect the effect of the new experience on both themes and forms.

ISSN: 2311-519X

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