| المستخلص: |
An analytical study: The study illustrated the problem in the following questions. - What connotations place in the presentation of the play "Downtown"? - Is the place an added load and canonical connotations in the presentation of the play "Downtown." - Do the semantics place a key factor in the presentation of the play "Downtown." The importance of studying: The importance of the study being shed light on the multiple connotations place and function in the dramatic theater, and directors may be useful to search the play deals in directorial treated to presentations dealing with the implications of the results of the place, as well as researchers to complete many angles in this topic. Objective of the study: Objective of the study to identify the semantics place in the presentation of the play "Downtown" Methodology The study sample Analysis is a methodology used to view the dramatic play "Downtown," written and directed by "Nasser Abdel Moneim" which he presented on the stage of modem theater. The study terms: Location: is the field in which the events scene of scenes, or dramas taking place, it is difficult to work in the theater without a theater where he and the flow theatrical events. Indication: is the meaning of my intention formative aims to stimulate the subjective and objective meanings and analysis to certain facts related to the mind of the recipient contribute to the activation of the relationship between the signifier and the signified. The results of the analytical study: 1. Emerged geographic location by dividing the stage into three vertical and horizontal levels and the depth of background in theater at Panorama gave that place semantics contributed in highlighting the idea of supply and revealed a multiplicity of dramatic conflict at the level of the place and event. 2. director elaborated in shaping the details of the place of (corridor), through the voice of the narrator and the characters dramatic and cinematic eye camera, which gave an indication of the importance of the place and stressed that the main hero of the theatrical presentation. 3. Over the place about the significance of the class struggle between the sons of the aristocracy of the characters through dramatic movement on the floor of the corridor, moves the children of the upper class on the vertical level of the stage while the children of the poor class move on the horizontal plane of the stage. 4. The semantic shifts diversity in place has allowed the aesthetic vision contributed to the activation of the speech and drama influenced in the performance of the dramatic figures who dealt with the vocabulary of the place is not being realistic, but the vocabulary and expressive vocabulary are also turning in spectacular balcony and cemeteries. 5. Choose the (corridor) as the main venue for the event gave a dramatic indication that the control and acquisitions it is the only way to cross and move on with social class to another social layer. 6. The director combining several doctrines of the play but could not melted into a single mold and the most prominent of these doctrines is epic theater of Bertolt Brecht education, and theater Birandlo theater inside the theater, as well as the doctrine of the real Ross Astanslavsky.
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