| المستخلص: |
Praise be to Allah, prayer and peace be upon the most honorable prophet and messenger Mohammed Al-Mustafa and his progeny. Stylistics, as born from the spirit of the living language, has the characteristic of reforming itself to copy with different times and places. Therefore, it aims at fulfilling the aesthetics of communication towards future with its linguistic effect. Generally, the stylistic study tends to find out the potentiality of the text. Besides, it attempts to demolish the ordinary language as well as rebuild it at a higher level. However, this study, entitled 'The Poetry of Jarah Ibn Shajir Al-Theraoi: A Stylistic Study', attempts to state the life of the poet who lived in the tenth century A.H. (Abbasid Era). Therefore, the study attempts to find a harmonious form between the text of the ancient poetry and his style. The poet's style involves deep structures more than any other ones in addition to the modern critical approach and its treatments with its multi-stylistic rhetorical features due to the stylistic approach and its internal components. This work involves three chapters with an introduction including two sections. The first displays the poet's life, name, origin, surname and ethnicity. The second deals with the poet's cultural background and its effect on his style. Chapter one 'the Semantic Level' involves two sub-sections. The first is devoted to state the poetic image that includes the image of characterization, image of typification, image of movement, non-movable image. The second sub-section deals with the study of the poet's religious and literary intertextualities. Chapter two 'the Structural Level' states the concept of the structural level and then moves to deal with the most dominant features at the linguistic and stylistic levels in his poetry. These cover interrogation, fronting and deferment, separation and in-separation, vocative and condition. Then, the chapter three entitled 'the Phonological Level' contains an introduction, and two sub-sections. The first sub-section clarifies the internal rhythm depending upon repetition, antithesis, paronomasia, returning the first hemistich to the second one and circularity. The second sub-section entitled 'The External Rhythm' focuses on the poet's poetic meters. Finally, the study ends with conclusions and a list of references on which it depends. The study has come with a number of conclusions including: discovering the cultural background, namely the creative language, its role in crystalizing the inventor's style and his stylistic wordings, detecting the poet's rhetorical devices such as (repetition, antithesis, paronomasia, returning the first hemistich to the second one and circularity), the motive to reinforce the internal rhythm of his poems. It has been observed that the poet did not use one grammatical technique to support his poetic texts with different denotations and connotations. Among these techniques is interrogation
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