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|a ara
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| 044 |
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|b مصر
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| 100 |
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|a زرفاوي، عمر بن عبدالحميد
|g Zerfawy, Omar
|e مؤلف
|q Zerfawi, Omar
|9 232610
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| 245 |
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|a الأدب التفاعلي وترياق الكتابة:
|b عودة إلى رولان بارت ونقد ما بعد البنيوية
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| 246 |
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|a Interactive Literature and Writing Antidote:
|b Going Backto Roland Barthes and Post-Modernism Critique
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| 260 |
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|b الهيئة المصرية العامة للكتاب
|c 2017
|g شتاء
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| 300 |
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|a 111 - 117
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| 336 |
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|a بحوث ومقالات
|b Article
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|b Roland Barthes is one of the major cultural highlights of the twentieth and twenty-first centuries. This is due to his acquaintances and divergent and continued alignment between various philosophical schools, which evolves out a writer who encompasses contemporary global intellectual scene. However Barthes insists permanently on avoiding to provide definitions of concepts such as (Le Signifie), and (Le Texte), he offers definitions in which metaphors, such as (a metaphor insects), or refers to mobile cultural term like (weaving). These definitions are invested in the detection of correlations of post-structuralism ideas with pivotal regulating concepts for (Interactive Literature) genre. In this study, we are attempting to investigate Barthes's conceptual construction of interactive literature in the light of post-modernism through the definition, which Bathes raised of writing as "Elimination of every voice, and every origin".
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| 653 |
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|a الأدب التفاعلي
|a بارت، رولان، ت. 1980 م.
|a الإبداع الأدبي
|a الفلسفة الأدبية
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| 692 |
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|b Interactive Literature
|b Post-Modernism
|b Post-Structuralism
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| 773 |
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|4 الادب
|6 Literature
|c 006
|f Fuṣūl
|l 098
|m ع98
|o 0733
|s فصول
|t Seasons
|v 000
|x 1110-0702
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| 856 |
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|u 0733-000-098-006.pdf
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| 930 |
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|d y
|p y
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| 995 |
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|a AraBase
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| 999 |
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|c 892538
|d 892538
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