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شعرية الأشياء في شعر مريد البرغوثي

العنوان بلغة أخرى: Poetic of Objects in Murid Barghouti's Poetry
المصدر: فصول
الناشر: الهيئة المصرية العامة للكتاب
المؤلف الرئيسي: عبدالحي، أحمد (مؤلف)
المجلد/العدد: ع98
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2017
الشهر: شتاء
الصفحات: 241 - 259
ISSN: 1110-0702
رقم MD: 892577
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase
مواضيع:
كلمات المؤلف المفتاحية:
Poetic | Romantic Poet | Objects | Palestine | Murid Barghouti
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

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حفظ في:
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044 |b مصر 
100 |9 260477  |a عبدالحي، أحمد  |e مؤلف 
245 |a شعرية الأشياء في شعر مريد البرغوثي 
246 |a Poetic of Objects in Murid Barghouti's Poetry 
260 |b الهيئة المصرية العامة للكتاب  |c 2017  |g شتاء 
300 |a 241 - 259 
336 |a بحوث ومقالات  |b Article 
520 |b The ancient Arab poet has not cared adequately to "objects", in particular, solid things; perhaps because of his being involved in serious poetic subjects in comparison to vanity of objects, we are not attempting to find out reasons for that though poet, his attention to the contemplating in objects would accompany the development of his poetic sensitivity and change the concept of poetry. Romantic school was the first turning point in the course of Arabic poetry; it broke down the first bound of this poetry to make it respond to the requirements of the present moment. In the light of this sensitivity, it was not a surprise that romantic poet discerns marginalization of objects in the ancient poetry, and to the superficial approach for them. Palestinian case as a whole has turned into an exceptional case in this universe. Thus, the poetic approach to this case may be a kind of compensation for the inability to face it realistically. What concerns us from that is the case as an exception, which has produced exceptional Poetic, which involves very much prevarication and tender to entice critic to approach and get to know its dimensions, because this case has gained great attendance by the daily drama, which imposed itself on all our senses, so its approach allows the recipient to identify himself through it. 
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