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|a ara
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|b مصر
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|a سليماني، ياسين
|g Slimani, Yassine
|e مؤلف
|9 241443
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| 245 |
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|a الظاهرة المسرحية عند رولان بارت:
|b مقاربة أولية لآليات الرؤية البارتية للمسرح
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|a Roland Bart's Theatrical Phenomenon:
|b An Initial Approach to Theater Vision Mechanisms
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|b الهيئة المصرية العامة للكتاب
|c 2017
|g ربيع
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| 300 |
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|a 605 - 614
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|a بحوث ومقالات
|b Article
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|b Roland Barthes (1915-1980) is an articulate philosophical and literary experiment in the global intellectual movement of the 20th century, whose effects continue to today and in various. fields of knowledge, and draws attention to his project from its many movements among the monetary approaches: social, structural and perhaps one of the most important theories presented by Bart was the theater as a system of highly complex signs and semantic amplitude. If Imberto Echo summarizes the elements of the theater as follows: a human body with characteristics known as agreement, surrounded by or supported by a set of related topics B It has been framed by a constructional position that has constructed what was chosen as a sign, and since that moment the curtain has risen and anything can happen, if the theater is connected to the system of signs as Eko sees it, The case at Bart gathers the same opinion and increase it, considering that the theater at Bart represents an ideal model for the study of semiotics or "cybernetic machine" as is commonly called by him in his book «Critical articles».
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| 653 |
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|a بارت، رولان، ت. 1980 م.
|a النصوص المسرحية
|a نظرية التأويل
|a علم السيميوطيقا
|a علم المفارقة
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| 692 |
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|b Theatrical Phenomenon
|b Roland Bart
|b Theater Vision Mechanisms
|b Imberto Echo
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| 773 |
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|4 الادب
|6 Literature
|c 029
|f Fuṣūl
|l 099
|m ع99
|o 0733
|s فصول
|t Seasons
|v 000
|x 1110-0702
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| 856 |
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|u 0733-000-099-029.pdf
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| 930 |
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|d y
|p y
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| 995 |
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|a AraBase
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|c 892813
|d 892813
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