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|a ara
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| 044 |
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|b الأردن
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| 100 |
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|9 109775
|a الرباعي، إحسان عرسان
|e مؤلف
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| 245 |
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|a تجليات الفنون الإسلامية في أعمال الفنان الجرافيكي والتشكيلي العربي المعاصر
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| 246 |
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|a Inspired by Islamic Art in the Works of Contemporary Graphic Artist
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| 260 |
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|b جامعة إربد الأهلية - عمادة البحث العلمي والدراسات العليا
|c 2016
|g حزيران
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| 300 |
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|a 1 - 29
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| 336 |
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|a بحوث ومقالات
|b Article
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|b Inspired by Islamic art in the works of contemporary graphic artist Islamic arts has an effect on the performance of the graphical and formative Arabic modern artist, for this arts are distinguished by the basis and rules that deals with the modern designing and creativity these basis and rules that are themed by the essences and inherences of things. And then the attempt to discover the essence of it's elements. Although the multiplicity of forms that compose those arts, the relationship between its elements that create these aesthetic and graphical relationships give it the name of extreme and infinite art. The transfiguration of Islamic arts in modern art seems to be a clear issue, some of the graphical and formatical modern arab artists benefited from the engineering and abstract features that the Islamic arts has distinguished by. Whice means that Islamic art involved with the Arabic modern art through specified issues, connected with artistic and aesthetic values of the art work. Expressed by the elements of lines, colours and shapes, whice carries over tunes about spiritual sides that reflects the originality and foreseeing for the infinite and extreme. In which the trace of these artistic and aesthetic Islamic values reflected on the modern Arabic art values which helped in giving it the feature of distinction and showing of its character clearly. As well as it reinforced the confidence of the modern arab artist that built on the basics and originality and rich feedback for it's fluent production, inspiring it from the sources of the Islamic art, and this shall never be grasped without researching and analyzation.
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|a الفنون الإسلامية لها تأثير على أداء الفنان الجرافيكي والتشكيلي العربي المعاصر وذلك لما تتميز به هذه الفنون من أسس وقواعد تتواءم مع التصميم والإبداع الفني المعاصر، تلك الأسس والقواعد التي سمتها البحث عن كوامن الأشياء ومواطنها، ومن ثم محاولة الكشف عن جوهر عناصرها، ورغم تعدد الصيغ والتكوينات التي تتألف منها هذه الفنون، فإن العلاقات المتوافدة بين العناصر التي تؤلف علاقات جمالية جرافيكية وتشكيلية أكسبتها سمة الفن المطلق واللامحدود.
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| 653 |
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|a الفن الإسلامي
|a الفنون التشكيلية
|a فن الجرافيك
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| 773 |
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|4 العلوم الإنسانية ، متعددة التخصصات
|4 العلوم الاجتماعية ، متعددة التخصصات
|6 Humanities, Multidisciplinary
|6 Social Sciences, Interdisciplinary
|c 001
|e Irbid Journal for Research and Studies (Humanities and Social Sciences)
|f Irbid
|l 004
|m مج18, ع4
|o 0544
|s إربد للبحوث والدراسات - العلوم الانسانية والاجتماعية
|v 018
|x 1681-3510
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| 856 |
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|u 0544-018-004-001.pdf
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| 930 |
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|d y
|p y
|q y
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| 995 |
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|a EduSearch
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| 995 |
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|a HumanIndex
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| 999 |
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|c 893188
|d 893188
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