المصدر: | أعمال الندوة الفكرية: الصمت في الخطاب |
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الناشر: | جمعية الدراسات الأدبية والحضارية بمدنين |
المؤلف الرئيسي: | الديب، وليد مقبل السيد علي (مؤلف) |
المؤلف الرئيسي (الإنجليزية): | Al Deeb, Waleed Moqbel Al Said Ali |
محكمة: | نعم |
الدولة: |
تونس |
التاريخ الميلادي: |
2018
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مكان انعقاد المؤتمر: | مدنين |
الهيئة المسؤولة: | جمعية الدراسات الأدبية والحضارية |
الصفحات: | 349 - 382 |
رقم MD: | 948592 |
نوع المحتوى: | بحوث المؤتمرات |
اللغة: | العربية |
قواعد المعلومات: | HumanIndex |
مواضيع: | |
رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
المستخلص: |
Stroke in singing poetry is part of the musical time of albait and it may give albait of poetry more than reading based on its position, which may lead to the possibility of multiple aspects of some parts of albait, leading to multiple indications, and through my research found that the stroke is a distinguishing feature Among the more than one reading in the poetry of Ibrahim Meftah, this phenomenon was analyzed and analyzed in two diaries of this poet, deriving the grammatical relations in each reading and the resulting implications. My attention focused on the tide of each phenomenon on the most important relationship created by the stroke, To other relationships affected by silence The research revealed through this treatment the importance of the location of the stroke, both grammatically and analytically, as evidenced by the spaciousness of what may be felt of meanings, and proved that the role of the performer in his performance is no less important About the role of the poet in his creativity. |
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