The Suppressed Voice of the Marginalized Aristocracy in Serageldin’s the Cairo House: A New Historical Approach
| المصدر: | مجلة قطاع الدراسات الإنسانية |
|---|---|
| الناشر: | جامعة الأزهر - كلية الدراسات الإنسانية |
| المؤلف الرئيسي: | Osman, Ahlam Ahmed Ahmed (Author) |
| المجلد/العدد: | ع18 |
| محكمة: | نعم |
| الدولة: |
مصر |
| التاريخ الميلادي: |
2016
|
| الشهر: | ديسمبر |
| الصفحات: | 1 - 30 |
| DOI: |
10.21608/JSH.2016.28225 |
| ISSN: |
2090-9861 |
| رقم MD: | 966451 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | HumanIndex |
| مواضيع: | |
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| LEADER | 02666nam a22002177a 4500 | ||
|---|---|---|---|
| 001 | 1709593 | ||
| 024 | |3 10.21608/JSH.2016.28225 | ||
| 041 | |a eng | ||
| 044 | |b مصر | ||
| 100 | |9 520897 |a Osman, Ahlam Ahmed Ahmed |e Author | ||
| 245 | |a The Suppressed Voice of the Marginalized Aristocracy in Serageldin’s the Cairo House: A New Historical Approach | ||
| 260 | |b جامعة الأزهر - كلية الدراسات الإنسانية |c 2016 |g ديسمبر | ||
| 300 | |a 1 - 30 | ||
| 336 | |a بحوث ومقالات |b Article | ||
| 520 | |b Contemporary new historical theory has obliterated the boundaries between history and fiction. History, a discourse constructed by “literary imagination” and “power relations,” is now seen as ideological and subjective, always open to multiple inquiries and re-interpretation by multiple voices including literary ones. The Cairo House by Samia Serageldin is just one voice that tells the history of the 1952 Revolution from a different perspective; the perspective of the aristocratic class that was done great injustice, especially after the nationalization of the Egyptian economy and the confiscation of their possessions. The novel helps ensure that a master narrative will no longer control our understanding of this era in our modern history. For example, the dark side of Nasser’s character appears in the young heroine’s nightmares. Like all children, she dreams of a bogeyman. “For Gigi,” however, “the bogeyman was real; he had a name and a face. The black-browed face was inescapable on a million posters throughout the country … The name was whispered: Nasser, El-Raiis; his thousand eyes and ears lurked behind every corner” (Serageldin, 58). This is how the aristocratic daughter views Nasser: a scary monster that has eyes everywhere, whether or not the reader agrees with the description. The novel, therefore, brings to the foreground the suppressed voice of the marginalized aristocratic class which was often misrepresented in history books and cultural artifacts alike. | ||
| 653 | |a الرواية |a المجتمع المصري |a الطبقة الأرستقراطية |a رواية بيت العائلة |a سراج الدين، سامية | ||
| 773 | |4 العلوم الإنسانية ، متعددة التخصصات |6 Humanities, Multidisciplinary |c 012 |e The Sector Magazine of the Faculties of Humanities |f Maǧallaẗ Qitaʿ Al-Dirāsāẗ Al-I’nsaniyyaẗ |l 018 |m ع18 |o 1044 |s مجلة قطاع الدراسات الإنسانية |v 000 |x 2090-9861 | ||
| 856 | |u 1044-000-018-012.pdf |n https://jsh.journals.ekb.eg/article_28225.html | ||
| 930 | |d n |p y | ||
| 995 | |a HumanIndex | ||
| 999 | |c 966451 |d 966451 | ||
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بواسطة: سلام، مها محمد أحمد منشور: (2009) -
Globalization and Localization in Nabil Nowaira's Arabic Translation of Samia Serageldin's the Cairo House
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Historic Cairo in the Era of Augmented Reality: Opportunities and Challenges
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