The Interaction between Pagan and Christian Motifs as Reflected on the Hellenistic Sculpture in the Eastern Mediterranean
| المصدر: | المجلة الدولية للتراث والسياحة والضيافة |
|---|---|
| الناشر: | جامعة الفيوم - كلية السياحة والفنادق |
| المؤلف الرئيسي: | Ismail, Shaza Gamal M (Author) |
| المجلد/العدد: | مج10, ع2 |
| محكمة: | نعم |
| الدولة: |
مصر |
| التاريخ الميلادي: |
2016
|
| الشهر: | سبتمبر |
| الصفحات: | 170 - 179 |
| ISSN: |
2636-4115 |
| رقم MD: | 979225 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | HumanIndex |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Pergamum | Sfumatoi | Sculpture in the Round | Historical Relief | Antioch | Pictorial Relief
|
| رابط المحتوى: |
الناشر لهذه المادة لم يسمح بإتاحتها. |
| المستخلص: |
Around 330 B.C. The armies of Alexander the Great, (356 B.C. - 323 B.C.), overran the Greek city-states around the Aegean and brought the Classical Greek period to an end. Alexander's armies marched on to conquer the Persian Empire (modern Turkey, Iraq, Iran, and Afghanistan), as well as Syria, parts of Arabia, and Egypt. Within a period of about ten years he ended up with an empire that encompassed western Asia all the way to India. This event marked the beginning of a new pan Greek era called the Hellenistic period. Hellenistic means "Greek-like" (remember the Greeks called themselves Hellenes). It's pan-Greek because Alexander carried Greek language, ideas, and arts to the lands he conquered.. With the rise of Christianity in the Hellenistic words many of the themes and motifs continued to be used on sculpture but with new concepts and representations reflecting the new faith. This article will focus on Hellenistic sculpture and the talented artists who succeeded to keep their art in a way that would please. |
|---|---|
| ISSN: |
2636-4115 |
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