| LEADER |
05256nam a22002777a 4500 |
| 001 |
1728147 |
| 024 |
|
|
|3 10.21608/IDJ.2019.83591
|
| 041 |
|
|
|a ara
|
| 044 |
|
|
|b مصر
|
| 100 |
|
|
|a قطب، ميسون محمد
|g Qutp, Maysoon Mohamed
|e مؤلف
|9 263465
|
| 245 |
|
|
|a الإطار المفاهيمي المتكامل لأبعاد الماركة
|
| 246 |
|
|
|a Integrated Conceptual Framework for Brand Interpretations
|
| 260 |
|
|
|b الجمعية العلمية للمصممين
|c 2019
|g يناير
|
| 300 |
|
|
|a 31 - 40
|
| 336 |
|
|
|a بحوث ومقالات
|b Article
|
| 520 |
|
|
|b The process of constructing the Calligraphy Compositions assumes to be the rules are pre-set and are a basic stage And move to the optimal recruitment of a group of elements working together in an integrative that achieves a trilogy (beauty - function - expression) through systems that ensure the formation of a formality that has applications ranging from stereotypes and tradition, the shape penetration is one of the outermost manipulations whereby a cohesive structure can be achieved at the level of form, or acting as a semantic booster that amplifies the expressive dimension of the content of the text, In this or that alternative, the shape penetration is in the act with other characteristics. The problem of research is summarized in the question (What represent the formative penetration in the Compositions of calligraphy?), Significance: The shape penetration is a characteristic used by the calligrapher to achieve the trilogy (beauty, function, expression) in its Calligraphy Compositions, while working with other characteristics and methods of a holistic nature of the consolidation and enhances the overall output. Objective: to uncover (the representations of the shape penetration in the Calligraphy Compositions). The theoretical framework dealt with the concept of shape penetration, and also the foundations of Calligraphy Compositions including the text and type of calligraphy and system and letter characteristics and the general shape and design treatments, The methodology was based on the analytical descriptive approach. The research community included calligraphies of (Altholuth, jle Diwani and the Kufi) in Iraq, Syria, Egypt and Turkey. The research community reached (79). (12) Sample was selected. The results: The shape penetration is a variety of methods in terms of quantity, quality and in order to achieve aesthetic goals, functional and expressive by activating the characteristics of the letters by horizontal and vertical ALmad and back and italics by increasing measurement, Or through the intersection and overlap between words to create a descriptive appearance, and change the directional structure and formality of the letters. Also shape penetration expressive representations that support the effectiveness of Calligraphy Compositions as an optical discourse with communicative aims, which includes text with meanings and connotations that reinforce the artistic structure of Calligraphy Compositions from showing it as a metaphorical metaphor interpreted by a figurative cognitive character.
|
| 520 |
|
|
|a تعدى مفهوم الماركة الإطار الرمزي والذهني، أصبح المفهوم الحديث لها هو أن تعبر عن أساليب الحياة بالكامل، بل تطورت الماركة إلى وصفها حديثاً على أنها ملحقات الثقافات والفلسفات الشخصية وصارت جزءاً لا يتجزأ من اقتصاد ما بعد الحداثة. يهدف البحث إلى دراسة أبعاد الماركة والتي تشكل لبنات البناء الاستراتيجي لمفهوم الماركة المتكاملة، ومن ثم يمكن وضع إطار مفاهيمي متكامل ومتناسق للماركة التي تعد عنصر رئيسي مميز في تعزيز استراتيجية التسويق ودعم الاتصال المؤسسي (نانسي عبدالله، 2013) حيث يفترض البحث أن تكامل الأبعاد المتعددة الأوجه لمفهوم الماركة يمكن أن يساهم في تعزيز نجاح وقدرة الماركة على التكيف والنمو والابتكار. اتبع البحث المنهج الوصفي التحليلي لدراسة أبعاد الماركة المتعددة الأوجه وعرض نماذج من الإعلانات والحملات الإعلانية.
|
| 653 |
|
|
|a العلامات التجارية
|a استراتيجيات التسويق
|a الحملات الإعلانية
|
| 692 |
|
|
|a الماركة
|a العلامة التجاریة
|a الملكیة الفكریة
|b Brand
|b Logo
|b Intellectual Property
|
| 700 |
|
|
|a الشرقاوي، أحمد زكريا محمد
|g El Sharkawy, Ahmed Zakaria Mohamed
|e م. مشارك
|9 531493
|
| 700 |
|
|
|9 141478
|a العجماوي، إيهاب محمد صبري
|e م. مشارك
|
| 773 |
|
|
|4 فنون
|6 Art
|c 002
|e International Design Journal
|f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ
|l 001
|m مج9, ع1
|o 2048
|s مجلة التصميم الدولية
|v 009
|x 2090-9632
|
| 856 |
|
|
|n https://idj.journals.ekb.eg/article_83591_ar.html
|u 2048-009-001-002.pdf
|
| 930 |
|
|
|d y
|p y
|q n
|
| 995 |
|
|
|a HumanIndex
|
| 999 |
|
|
|c 985129
|d 985129
|
