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Integrating Arabic and Japanese Calligraphy in Innovative designs for Fashion: A Comparative Study of Diwani and Kanji Calligraphy

المصدر: مجلة التصميم الدولية
الناشر: الجمعية العلمية للمصممين
المؤلف الرئيسي: Shams, Sarah Atef (Author)
مؤلفين آخرين: Sato, Tetsuya (Co-Author) , Mansour, Olfat Shawki Mohamed (Co-Author)
المجلد/العدد: مج9, ع1
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2019
الشهر: يناير
الصفحات: 273 - 281
DOI: 10.21608/IDJ.2019.84068
ISSN: 2090-9632
رقم MD: 985213
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Arabic Calligraphy | Japanese | Diwani | Kanji | Shodo style
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

33

حفظ في:
LEADER 02562nam a22002537a 4500
001 1728241
024 |3 10.21608/IDJ.2019.84068 
041 |a eng 
044 |b مصر 
100 |9 531540  |a Shams, Sarah Atef  |e Author 
245 |a Integrating Arabic and Japanese Calligraphy in Innovative designs for Fashion:  |b A Comparative Study of Diwani and Kanji Calligraphy 
260 |b الجمعية العلمية للمصممين  |c 2019  |g يناير 
300 |a 273 - 281 
336 |a بحوث ومقالات  |b Article 
520 |b It is possible to separate calligraphy as East and West calligraphy if we take processes and cultural differences that writing has lived during having a calligraphic formation. Each of these types of calligraphy is expressed in modern fashion with its own purpose. The calligraphy are used in different ways in terms of style, character and direction according to the origin of each method, on this basis, calligraphy are used in cases of integration between them to integrate two types of cultures of different origins to create a new vision for creative designs and formations, here lies the study importance in the heritage revival for both countries, Egypt and Japan, and to benefit from the heritage of the Arabic and Japanese calligraphy. The present study aims to compare both types of calligraphy (Diwani& Kanji) and use this comparison to create formations that reflect the main features of both. Calligraphy is used as an expression of formativeness has the function of shaping expressions as motives or patterns, avoiding meanings of words or phrases. As a result, Calligraphy formations were created while retaining the entity of each calligraphy and using the technique of art to integrate them, this resulted in a set of calligraphy formations that integrate the cultures of both countries in a simple technique that expresses the beauty and the validity of both cultures. 
653 |a تصميمات الأزياء المبتكرة  |a الخط العربي  |a الخط الياباني  |a دمج الخطوط 
692 |b Arabic Calligraphy  |b Japanese  |b Diwani  |b Kanji  |b Shodo style 
700 |9 531543  |a Sato, Tetsuya  |e Co-Author 
700 |9 496012  |a Mansour, Olfat Shawki Mohamed  |e Co-Author 
773 |4 فنون  |6 Art  |c 023  |e International Design Journal  |f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ  |l 001  |m مج9, ع1  |o 2048  |s مجلة التصميم الدولية  |v 009  |x 2090-9632 
856 |n https://idj.journals.ekb.eg/article_84068_ar.html  |u 2048-009-001-023.pdf 
930 |d y  |p y  |q n 
995 |a HumanIndex 
999 |c 985213  |d 985213 

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