| المستخلص: |
The novel, in the contemporary age, concentrated on the actual dialectic ties between the civilised structures in the community and the technical structures that are able to express about the humanitarian dimensions. Probably the civilized roles that the Iraqi society has passed by, were the most effective roles on the literary imagination, in addition to embodying the human suffering in their search for humanistic perfection. the Iraqi personality has passed by many transformations and with cultural, civilized, and social dimensions that determined historical levels that affected in the nature of forming an identity. The events of 2003 represent periodic parts between two levels that require a literary text to be dealt with. Because of the dependence of time period in the cultural and critical studies on the critical and technical standard, therefore, we preferred that the dependent samples in the study would be after 2003, for it pictured the image of exiled Iraqi person and its representations in the western community. The research is organized to have a preface and three chapters. The first chapter is entitled: (the Topics of the Iraqi novel in exile). It is in three sections: the first handled (war), the second is (violence), and the third is about (terrorism). The second chapter is entitled: (the anthropological dimension in the novel of alienation). It is in three sections: the first is (the religious dimension in the narrative text), the second is entitled (habits and traditions dimension in the narrative text), and the third is about (cultural heritage in the narrative text). The third chapter is (the impact of the image of the west on the identity of the characters of the novels of alienation). It came in three section: the first handled (loss of the Iraqi identity in the alienation), the second is (stability of Iraqi identity in the alienation), and the third is (openness of the Iraqi identity in the alienation). The research reached the following results: The narrations has varied in the nature of picturing the portrait of the Iraqi expatriate in spite of the stereotype sovereignty. However, we find some expressive images about the changeable situation. The social status has effected greatly in picturing the Iraqi expatriate who was most of his situations depend on the changes of the current reality.
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