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041 |
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|a ara
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044 |
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|b مصر
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100 |
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|9 455589
|a الأمارة، وفاء قحطان غافل
|g Ghafel, Wafaa Kahtan
|e مؤلف
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245 |
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|a شعرية اللغة السردية في رواية لا بحر في بيروت لـ "غادة السمان"
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246 |
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|a Narrative Lattice the Novel no Sea in Beirut
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260 |
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|b جامعة قناة السويس - مركز البحوث والدراسات الإندونيسية
|c 2019
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300 |
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|a 166 - 186
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336 |
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|a بحوث ومقالات
|b Article
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520 |
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|b The novel no sea in Beirut for Ghada Al-Samman with a surreal character The novel quoted a contradictory image of the woman, and sometimes we see passers-by kind of very material passers-by, which abandoned its principles for the benefit of the liberated passive rebel passers-by who sacrificed its principles for her personal benefits. Ghada Al-Samman invoked passers-by as a symbol of the female homeland through the symbol through the symbolism of the sea to what extent you can maintain your principles within crises any percentage of principles can be weak or wrong or can be developed and changed Living conditions can be considered as a laboratory through which to test the extent of faith in the principles A novel that can fall under the name of the political novel. Taking advantage of the narrative of the narrative prophetic approach through the location of the narrator and the characters tell the story of the relationship of personalities and time system and some indications of the place The narrator (feminine) is the manufacture of events and participate in it as a basic character The novelist tends towards the so-called (vision with) where the narrator and personality in one level of knowledge of the details of the narrative material does not advance one on the other
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653 |
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|a القصص العربية
|a النقد الأدبي
|a الأدب العربي
|a السرد الأدبي
|a السمان، غادة
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773 |
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|4 الدراسات الإسلامية
|6 Islamic Studies
|c 006
|f Al- Īstiwā’
|l 018
|m ع18
|o 1214
|s مجلة الإستواء
|t al- istiwa
|v 000
|x 2356-9808
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856 |
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|u 1214-000-018-006.pdf
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930 |
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|d y
|p y
|q y
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995 |
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|a IslamicInfo
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995 |
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|a HumanIndex
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999 |
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|c 1053483
|d 1053483
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