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الرئيسية > دراسة مقارنة لكل من الفنون الش...>الوصف

دراسة مقارنة لكل من الفنون الشعبية الكويتية العاشوري والردحه والوجفي

العنوان بلغة أخرى: A Comparative Study of the Kuwaiti Folk Arts of Al-Ashouri, Al-Radha and Al-Wajfi
المصدر: المجلة المصرية للدراسات المتخصصة
الناشر: جامعة عين شمس - كلية التربية النوعية
المؤلف الرئيسي: الصقر، عبدالحميد فتحي (مؤلف)
المجلد/العدد: ع29
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2021
الشهر: يناير
الصفحات: 110 - 142
DOI: 10.21608/EJOS.2021.167437
ISSN: 1687-6164
رقم MD: 1218956
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: EduSearch, HumanIndex
مواضيع:
الفنون الشعبية | فن العاشوري | فن الردحة | الموسيقى الشعبية | الكويت
كلمات المؤلف المفتاحية:
الفنون الشعبية الكويتية | العاشوري | الردحة | الوجفي | A Comparative Study | Kuwaiti Folk Arts
رابط المحتوى:
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المستخلص: من أكثر الفنون المتشابه بالفنون الشعبية الكويتية فنون العاشوري والردحة والوجفي ما يحدث لبس عند العديد من أفراد المجتمع الكويتي وخاصة غير المتخصصين منهم، ومن منطلق أهمية الفنون الشعبية الكويتية وما تؤديه من دورا هاما في حياة المجتمع الكويتي، استمد الباحث فكرة هذا البحث في إعداد دراسة نقدية لكل من فن العاشوري والردحة والوجفي حتى يتصل غير المتخصصين بالتراث القومي والبيئة والفنون المحيطة، هدفت إلى إلقاء الضوء على فن العاشوري والردحة والوجفي، وبيان الاختلافات الجوهرية بين هذه الفنون عينة البحث، والتعرف على مدى معرفة الكويتيين من غير المتخصصين بمناسبة أداء كل فن من الفنون عينة البحث والفرق بينهما، اتبع البحث المنهج الوصفي (استطلاع الرأي) على عينة من المجتمع الكويتي من غير المتخصصين موسيقيا وعددهم (170) فرد من فئات عمرية مختلفة.

Among the arts that are most similar to Kuwaiti folk arts, the arts of Al-Ashouri, Al-Radha and Al-Wajfi, what happens to many members of Kuwaiti society, especially non-specialists among them, and on the basis of the importance of Kuwaiti folk arts and the important role they play in the life of Kuwaiti society, the researcher- drew the idea of this research in preparing a critical study For each of the art of Al-Ashouri, Al-Radha and Al-Wajfi. in order for non- specialists to communicate with the national heritage, the environment and the surrounding arts, I aimed to shed light on the art of Al- Ashouri, Al-Radha and Al-Wajfi, and to explain the fundamental differences between these arts, the research sample, and to identify the extent of knowledge of Kuwaitis from non-specialists on the occasion of the performance of each art of the sample. Research and the difference between them. The research followed the descriptive approach (opinion poll) on a sample of Kuwaiti society who are not specialized in music and their number is (170) individuals of different age groups. The results have yielded that - The art of Al-Ashouri: an art performed by men that is usually used in weddings upon entering the Maarad, and its texts are based on the lyrical poems - The art of the radaha: an art performed by women and depends on the praiseworthy texts in the ruling family, the merchants of the upper class, and in their private parties, where they perform the radaha from outside the house until they enter the yard of the house - The art of Al-Wajfi: An art performed by men between the classes of the Samaritan, that is, after performing four or five chapters of the art of the Samaritan, which is a period of rest for the group from sitting and depends on the spinning texts. And that there are many points of similarity and difference, where the research sample (Achouri- Lajavi) is similar in the musical balance of the rhythm used, the rhythmic metaphor, the instruments used, and the speed, while the speeds differ, as both the Achouri and the Wajfi rhythm performs quickly (88) using a speed control device while performing The art of the radaha is fast (100). that is, a little faster, as it differs in the balance and the rhythmic metaphor with pressure from the fourth to the sixth, and there are also differences in the quality of the poetic texts and the performance of the art of al- Ashuri and al-Wajfi among men, while the art of the radaha is performed by women. The results of the questionnaire that was applied to a sample of (170) members of the Kuwaiti community who arc not specialized in music from different age groups resulted in most of the sample members knowing the art of Al-Ashouri and Al-Radaha, while they did not know the art of Al-Wajfi and the suitability of its performance and its characteristics. The researcher concluded with a set of recommendations, the most prominent of which was the work. To collect, document and study our Kuwaiti folk heritage in all its forms and forms (phonemic- kinetic) through the establishment of centers entrusted with carrying out this national mission.
ISSN: 1687-6164

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