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الرئيسية > تحليل أبعاد خلاقيت شخصيت پرداز...>الوصف

تحليل أبعاد خلاقيت شخصيت پردازي رمان هاي غسان كنفاني بر اساس تئوري شخصيت موركان فورستر

العنوان بلغة أخرى: Analyzing the Features of Narrative Creativity in Ghassan Kanafani's Novels: Novels (The Composition of Characters) Based on Morgan Forster's Theory
المصدر: مجلة لارك للفلسفة واللسانيات والعلوم الاجتماعية
الناشر: جامعة واسط - كلية الآداب
المؤلف الرئيسي: رباط، ماجد مرهج (مؤلف)
مؤلفين آخرين: خويرد، حسن اعظمي (م. مشارك), الحسيني، سيد محمد باقر (م. مشارك)
المجلد/العدد: ع44
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2022
الصفحات: 841 - 872
ISSN: 1999-5601
رقم MD: 1233808
نوع المحتوى: بحوث ومقالات
اللغة: الكردية
قواعد المعلومات: AraBase, HumanIndex
مواضيع:
الأدب العربي | النقد الأدبي | الشخصيات الروائية | كنفاني، غسان، ت. 1972 م.
كلمات المؤلف المفتاحية:
غسان كنفاني | خلاقيت شخصيت دازي | موركان فورستر | شخصيت پردازي | شخصيت پويا | شخصيت ايستا | شخصيت ايستاي تحولكرا | ايستاي غير تحولكرا | شخصيت ايستاي تحولكرا | Ghassan Kanafani | creativity Composition of Characters | Morgan Forster | Dynamic Character | Static Character
رابط المحتوى:

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المستخلص: The character is one of the most important elements of the story in which the events of the novel revolve. The method of creating and forming characters crystallizes the creative features of the fictional work and shows the extent of success or failure of the fictional narrator in it so that he can be judged as a creator or a pure imitator. From this point of view, this modest paper seeks to show the most important features of Ghassan Kanafani’s narrative creativity by reviewing a number of his novels for narrative analysis, shedding light on the path of development of the characters of the novels, relying on the theory of Edward Morgan Forster, which is based on the fact that every story is almost devoid of either a stable or a developed entity. The fixed ones may also belong to evolution, and some of them do not tend to be similar, so they remain superficial and non developing throughout the story. The researchers relied on the descriptive analysis method, and in analyzing the selected models, they followed the example of Jan Peak in his model for analyzing narrative texts, which is the favorite of most narrative text analysis theorists. And this paper has the most important results: Forster's theory in dividing the characters of the novel into developed and stable, which applies appropriately to the characters of Kanafani's novels. The features of narrative creativity appear clearly defined in Kanafani's merging of the two direct and indirect methods of presenting characters. The characters in a significant number of Kanafani’s novels are the result of the writer’s personal experiences with which he lived in the real world, as they belong to a flat social stratum in the lower class of society, and the writer rarely touches his characters affected by the prevailing conditions and the upper class of his society as he notices Al-shaa Al-Akhar.
ISSN: 1999-5601

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