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يتناول البحث اللطائف الجمالية والنكات البيانية التي ذكرها الإمام أبو القاسم الشاطبي في منظومته المشهورة: (حرز الأماني ووجه التهاني) حول القراءات المتواترة التي انفرد بقراءتها أحد القراء السبعة أو أحد رواتهم، ابتداء من سورة: (القصص إلى: يس) بالشرح والتحليل وإبراز صور تلك اللطائف، وذكر الفوائد المستنبطة من إشارات الشاطبي. وقد سلك الإمام الشاطبي في ذكر لطائفه سبلا ذللا وطرائق قددا تتعدد معها صنوف البلاغة والبراعة، فتارة يثني على القارئ المنفرد بالقراءة وعلى ضبطه، وأخرى يشير إلى ثبوت القراءة ووجوب الأخذ بها، وثالثة يثني على وجه القراءة ويبجله ويبيحه، ويذكر شيوع القراءة واستفاضتها، ويختار من آراء النحويين أحسنها كتوجيه للقراءة، ويشير إلى تداخل القراءتين في المعنى تارة، ويدفع عنها طعن الطاعن تارة أخرى، ويشير إلى الوجوه الضعيفة ليتجنب القارئ القراءة بها، إلى غير ذلك من اللطائف الجميلة والمعاني الدقيقة التي تزخر بها لاميته. عالج البحث اثنين وعشرين موضعا من انفرادات القراء السبعة، ناقشها في سبعة عشر مبحثا. يهدف البحث إلى تسليط الضوء على مظاهر وصور اللطائف الجمالية والدقائق البيانية الواردة في الشاطبية حول انفرادات القراء السبعة في القدر الذي تمت دراسته، كما يهدف إلى دفع المطاعن الواردة حول انفرادات بعض القراء السبعة والدفاع عنها من خلال إشارات هذا النظم المبارك.
This research deals with the aesthetic and rhetoric touches mentioned by Imam Abu al-Qasim al-Shatby, may God have mercy on him, regarding the recurrent readings that one of the seven Imams or one of their reciters read alone through his poem called: (the evidence of the aspirations and the face of congratulations on the seven readings), starting from Surat (Al Qasas to Surat Yassin). Imam al-Shatby took a laid down ways in this. "there emerges from their bellies a drink, varying in colors" and various methods with which there are many types of rhetoric and aesthetic touches. Sometimes he praises the individual reader for the reading and for mastering this reading. Other times, he indicates the existence of the reading and the necessity of taking it, and third by praising the face of the reading and dignifying and authorizing. Sometimes he refers to the meaning of the reading that the reader is unique at it. Other times, he refers to the prevalence of the reading and its eloquence. He chooses from the grammatical opinions the best of them as a guidance for the reading sometimes, and indicates the overlap of the two readings in the meaning other times, and he rejects the appeal of the appellant. That is, in addition to the other beautiful touches and the deep meanings that prevail his poem "Al Lameyia" The aesthetic touches mentioned by Imam Shatby about the readings unique to one of the seven readers are one of the aspects of aesthetic creativity in these systems that should be taught. These touches represent a form of the scientific radiation of this wonderful poem as they demonstrate the regulator's possession of the aspects of the rhetoric. These touches also highlight the amazing ability in the quality of combination and the simplicity of the expressions. They reflect the ability of playing with words to get out of them the appropriate meanings to what he aims to. They highlight the depth of knowledge of the readings and the sciences related to them. This gave him a top position in this field. The research aims to highlight the features and forms of those touches that were mentioned about the uniques of the seven readers considering the part that was studied, (from the first of Surat Al Qasas to Surat Yassin). I preferred the study to include the uniques of the seven readers because they often expose to the appeal of some grammarians and interpreters and in order not to be odd and unreadable or even unselected reading as the readers agreed to something different from them. The research has dealt with twenty two topics from the uniques of the seven readers, and highlighted the aesthetic and rhetoric images that Imam Shatby inserted in his poem when he mentioned these uniques. That is to confirm that these readings that are unique to one of the seven Imams are frequent and acceptable readings, even if most of the readers agreed on others.
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