Femininity Representation in Jeanette Winterson’s Postmodern Novels: Oranges Are Not the Only Fruit "1985" and the Passion "1987"
| المصدر: | المجلة الدولية للاتصال الاجتماعي |
|---|---|
| الناشر: | جامعة عبد الحميد بن باديس مستغانم - كلية العلوم الإنسانية والاجتماعية - مخبر الدراسات الإعلامية والاتصالية |
| المؤلف الرئيسي: | Ghernout, Soumia (Author) |
| المجلد/العدد: | مج9, ع3 |
| محكمة: | نعم |
| الدولة: |
الجزائر |
| التاريخ الميلادي: |
2022
|
| الشهر: | سبتمبر |
| الصفحات: | 522 - 532 |
| DOI: |
10.53284/2120-009-003-032 |
| ISSN: |
2437-1181 |
| رقم MD: | 1319747 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | EduSearch, HumanIndex |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
Femininity | Representation | Gender | Jeanette Winterson | Gender Norms
|
| رابط المحتوى: |
عدد مرات التحميل
4
| المستخلص: |
This paper puts flesh on the bones of the question of femininity in postmodern British literature. Jeanette Winter son's Oranges are Not the Only fruit (1985) and the Passion (1987) are the chosen materials through which the author tries to challenge the traditional way femininity is represented in literature. The paper attempts also to offer an inside insight into the complex reality of Winter son's female characters, and how they are torn between their femininity and societal expectations of women. Hence, with a vivid feminist consciousness, Winter son presents her female protagonists in an endless struggle to overcome gender norms and embark on their journey of self discovery. Conclusively, Winter son's depiction of her female characters as rebellious is, in fact, a way to show her revolt against all forms of women suppression. |
|---|---|
| ISSN: |
2437-1181 |
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