المستخلص: |
المرأة ملهمة الشعراء على اختلاف الزمن الإبداعي، وهي في الحس الشعري فيض عطاء وإبداع لا ينتهي. والمتنبي كباقي الشعراء زين مطالع قصائده بذكر المرأة والتغزل بها، فجارى الشعراء في ذلك سواء العذريين أو الإباحيين، أما هو فقد أحب على طريقته، فقد هام بالمرأة وذكر محاسنها ولكنها لم تتربع على عرش قلبه، رغم كل ما قاله فيها. إذ لديه قضيته الكبرى وقد نذر نفسه لتحقيقها، وهي الإمارة، لذلك فكل ما قاله المتنبي بالمرأة هو صناعة فنية لم تصدر عن عاطفة صادقة تجاه المرأة والمتنبي لم تشغله إلا «أناه» وفي البحث أدلة من شعره.
At all times, the woman has inspired the poets and her image has represented the endless poetic sense of tender and creativity. As all other poets, Almotanabi had honored the beginnings of his poems by mentioning and flattering the woman. He had followed the steps of the other poets whether their poems were erotic or platonic. However, Almotanabi had his own way to love. He had the passion for woman and flattered her, but he was never devoted to her. He had his own big interest and he devoted himself to the Power. Thus, flattering a woman for Almotanabi was an act of art and writing skills, it was not a sincere feeling toward her. only: Almotanabi himself, Almotanabi was occupied by one person and this fact is proved in this research based the evidence taken from his poems.
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