ارسل ملاحظاتك

ارسل ملاحظاتك لنا







The Relationship between Literature, Cinema, and Film Adaptation

المصدر: مجلة كلية الآداب
الناشر: جامعة بنها - كلية الآداب
المؤلف الرئيسي: Ahmed, Samah Rizk (Author)
المجلد/العدد: ع59, ج2
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2023
الشهر: أبريل
الصفحات: 57 - 77
ISSN: 1687-2525
رقم MD: 1421275
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: AraBase
مواضيع:
كلمات المؤلف المفتاحية:
Multimodality | Body Language Science | Fan Theories | Epic Fantasy | Plot Twist
رابط المحتوى:
صورة الغلاف QR قانون
حفظ في:
LEADER 02244nam a2200217 4500
001 2169105
041 |a eng 
044 |b مصر 
100 |9 752053  |a Ahmed, Samah Rizk  |e Author 
245 |a The Relationship between Literature, Cinema, and Film Adaptation 
260 |b جامعة بنها - كلية الآداب  |c 2023  |g أبريل 
300 |a 57 - 77 
336 |a بحوث ومقالات  |b Article 
520 |b Multimodal Discourse analysis extends the confined perspective, which studies the language in isolation, to the dissection of it in association with other semiotic resources. It asserts the significance of body language and facial expressions in the process of meaning-making. Multimodality can apply to the exploration of how certain schemas are built and rebuilt according to some clues provided by authors who seek to manipulate their audience’s expectations. Epic Fantasy is an abundant resource of data thematically rich with usage of multi -modes and schematic disruption. Fans of the books visit cinema houses with the passion to explore how film makers utilize techniques unique to their art to heighten the effect of foreshadowing. The research aims at comparing some novels with their visual productions on grounds of the different methods and techniques used by novelists and film makers to represent certain themes. Writers have their own choices which they make to fulfill the plot twist. The writer has the typed word to explain every expressions of characters, but it is up to the reader’s imagination to rebuild the data embedded in typed words into visual images once again. On the other hand, directors can employ voice, pace, sound track, costumes, and camera frames, leaving so little work for the imagination of viewers. 
653 |a الأدب السينمائي  |a لغة الجسد  |a تقنيات التخطيط  |a السياق الثقافي 
692 |b Multimodality  |b Body Language Science  |b Fan Theories  |b Epic Fantasy  |b Plot Twist 
773 |4 الادب  |6 Literature  |c 003  |f Mağallaẗ Kulliyyaẗ Al-Ādāb  |l 002  |m ع59, ج2  |o 1134  |s مجلة كلية الآداب  |t Journal of Faculty of Arts  |v 059  |x 1687-2525 
856 |u 1134-059-002-003.pdf 
930 |d y  |p y  |q n 
995 |a AraBase 
999 |c 1421275  |d 1421275 

عناصر مشابهة