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|a eng
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|b الإمارات
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|9 758715
|a Falih, Zaid Talib
|e Author
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| 245 |
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|a Spontaneity in the Plastic Art Productions of Students of Department of Art Education
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| 260 |
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|b كلية الإمارات للعلوم التربوية
|c 2023
|g ديسمبر
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| 300 |
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|a 359 - 383
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|a بحوث ومقالات
|b Article
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|b Since the radical transformation that accompanied the plastic arts in modernity and beyond, which is represented by absence of rationale and standard, absence of meaning, method, interest in form, and openness of interpretation, these arts emphasized spontaneity and improvisation in their visual display and the importance of the idea as a creative achievement and its precedence over the craftsmanship of performance with its specialized approaches, which sometimes exceed the power of mind and consciousness that gives imagination and freedom the utmost importance. Various plastic arts in general and drawing in particular have not become representing the human figure in its classic sense as an icon around which most of these achievements revolve as visual manifestations established under the authority of mind and mathematical logic in determining the proportions of the figure towards searching for visual display values that depend in the most general, if not most of them on The idea that spontaneity of performance is based in many of them on the coincidence of aesthetic results in the absence of preliminary planning in advance for works in search of aesthetics represented in the vitality of visual formation, which has been emphasized by postmodern arts since World War II, which led to the activation of the concept of naturalization of arts that did not remain in their traditional formulas. They overlapped with each other to highlight the idea of visual formation. They assumed that the structure of contemporary artwork is no longer limited to a specific gender. But, it consisted of a group of artistic kinds. After drawing had many meanings and values that depend on human forms or the vocabulary of nature and alluded to them as aesthetic icons in modernity and before it, this art became open to everything related to life around us in an aesthetic interaction that is constantly moving and transforming. It moved away from planning in its traditional form, relying on Spontaneity that produces aesthetic values that emerge accidently.
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|a الفنون التشكيلية
|a القيم الجمالية
|a الثقافة البصرية
|a طلبة التربية الفنية
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| 692 |
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|b Plastic Art Productions
|b Art Education
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| 773 |
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|4 الادب
|4 العلوم الإنسانية ، متعددة التخصصات
|6 Literature
|6 Humanities, Multidisciplinary
|c 019
|e Journal of Arts, Literature, Humanities and Sociology Sciences
|f Mağallaẗ al-funūn wa-al-adab wa-ʿulūm al-insāniyyāt wa-al-iğtimāʿ
|l 098
|m ع98
|o 1889
|s مجلة الفنون والأدب وعلوم الإنسانيات والاجتماع
|v 000
|x 2616-3810
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| 856 |
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|u 1889-000-098-019.pdf
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| 930 |
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|d y
|p y
|q n
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| 995 |
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|a HumanIndex
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|c 1433813
|d 1433813
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