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الرئيسية > Talliyin n Urmud n Tḍuft i Uhe...>الوصف

Talliyin n Urmud n Tḍuft i Uheyyi n Uẓeṭṭa deg Uɣir n Babar

العنوان بلغة أخرى: Stages of Preparing Wool for Wiving in Babar
المصدر: أنثروبولوجيا: المجلة العربية للدراسات الأنثروبولوجية المعاصرة
الناشر: مركز فاعلون للبحث في الأنثربولوجيا والعلوم الإنسانية والإجتماعية
المؤلف الرئيسي: Bakhouche, Zarfa (Author)
مؤلفين آخرين: Benzaroial, Djemaa (Co-Author)
المجلد/العدد: مج10, ع1
محكمة: نعم
الدولة: الجزائر
التاريخ الميلادي: 2024
الشهر: جوان
الصفحات: 326 - 341
ISSN: 2437-041X
رقم MD: 1483293
نوع المحتوى: بحوث ومقالات
اللغة: غير معروف
قواعد المعلومات: HumanIndex
مواضيع:
التراث الثقافي | صناعة شبك البابار | مواعيد الحصاد | الجزائر
كلمات المؤلف المفتاحية:
Patrimony | Material Heritage | Wool | Weaving | Types
رابط المحتوى:
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المستخلص: Algeria abounds a diverse cultural heritage, which has refined its national identity, reflecting the individual’s cultural level of singing, drawing, building and weaving. Weaving has been known in North Africa since ancient times through the mattresses and pieces of fabric found in the tombs of the Pharaohs, in addition to the collection of drawings and inscriptions found in Tassili (Le ministére de l'agriculture et de la réforme agraire, 1975, p. 27) Babar weaving, which represents a material heritage and an imprint of an individual’s cultural identity, symbolizes the ancientness of this region and the extent of its connection to its authenticity and cultural extension. It has maintained its position with its distinctive types, shapes, symbols and colors. The craftsmen seek to preserve this cultural heritage and pass on the craft to future generations. The article is titled: Stages of preparing wool for weaving In this article, we defined some terms related to the subject. We highlighted the sequential stages of wool preparation, in addition to the methods used in each stage, along with the methods of using them and the differences between them. At the end of the article, we pointed out the types of fabric found in the region and the difference between them in terms of weaving method, color, and dimensions.

D tamerkantit tmurt n Dzayer deg wayen yeɛwnan taẓuri, i d-yessenɛaten tmagit tagraɣlant n ugdud-nnes, i d-yessenɛaten aswir n uxemmem n umdan mani yewweḍ, d tiktiwin-nnes lak d tabraḍt a yexs ad tt-yessiweḍ s matta yexdem. Seg tẓuriwin-a ad naf tuɣac, unuɣ, aṣkay d uẓeṭṭa. Aneggaru-aya yettwassen seg talliyin timenza, armud-a yettwassen ɣer ugdud n tefriqt n ugafa seg-a ufin tassut deg yinilen n yiferɛunen, yerni neẓra assaɣ yellan jar-asen d imaziɣen yerni tfelwiyin d unuɣen n taṣili i d- yessenɛaten tɣawsa-aya (Le ministére de l'agriculture et de la réforme agraire, 1975, p. 27) Aẓeṭṭa deg Babar i d-yemmalen tigemmi tangawit n temnaḍt yessenɛat-d tmagit tadelsant n umdan, yerni yessenɛat-d assaɣ yellan jar-as-d d temnaḍt ani yettedder yellan teḥrez ɣef wagel-nnes s wannawen-nnes d yiniyen a deg-s lak d yizamulen a yerfed i d yessenɛaten tmeddurt d tmetti tacawit. Amagrad-aya s uzwel n talliyin n urmud n utḍuft i uheyyi n uẓeṭṭa newweḍ nesbadu qli n yirman yeqqnen ɣer usentel-nneɣ, nɛedda nessenɛet-d talliyin tettɛedda fella-sen tḍuft bac ad tt-heyyan i uẓeṭṭa, nessenɛet-d allalen i sseqdacen deg yal tallit seg talliyin-a nebder asegzi n useqdec-nnes d usemresnnes d umgired jar-asen. Deg tagara n umagrad-aya newweḍ ɣer wannawen n yiẓeḍwa a llan, d umgired jar-asen ama deg tarrayt n uẓeṭṭa,yini niɣ deg tsektiwin.
ISSN: 2437-041X

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