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رسوم الخيل على الفنون التطبيقية حتي نهاية العصر العباسي

المصدر: آداب الرافدين
الناشر: جامعة الموصل - كلية الآداب
المؤلف الرئيسي: محمود، محمد خضر (مؤلف)
مؤلفين آخرين: الجمعة، أحمد قاسم علي (م. مشارك)
المجلد/العدد: ع 60
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2011
التاريخ الهجري: 1432
الصفحات: 33 - 60
ISSN: 0378-2867
رقم MD: 425490
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: AraBase
مواضيع:
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عدد مرات التحميل

81

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المستخلص: Muslim artist was solicitaus with decorating animal, human, plant and geometric forms on the applied arts of which were the paintings of horses. These paintings express the broad horizons of Muslim artist as he transferred their forms. Consequently these paintings were spread in multi-buildings sites like palaces and baths. In this study, we shall tackle the inscriptions that were made by the Muslim artists on movable things. It studies the naming of horses both linguistically and conventionally. It also cites the Quranic verses that mention this word, i.e. horse. In addition to many of Summerians and Assyrian landscapes. The artist made his the inscription on textiles and porcelain. To add, the researcher notices the great attention that have been by the artist to horses, as they were used as transport means to reach the farthest point in the world in the time. This is what was reflected by the Muslim artist in his work as an artist.

ISSN: 0378-2867

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