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02049nam a22002057a 4500 |
| 001 |
1074904 |
| 044 |
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|b العراق
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| 100 |
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|9 312184
|a محمود، محمد خضر
|e مؤلف
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| 245 |
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|a رسوم الخيل على الفنون التطبيقية حتي نهاية العصر العباسي
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| 260 |
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|b جامعة الموصل - كلية الآداب
|c 2011
|m 1432
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| 300 |
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|a 33 - 60
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| 336 |
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|a بحوث ومقالات
|b Article
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| 520 |
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|b Muslim artist was solicitaus with decorating animal, human, plant and geometric forms on the applied arts of which were the paintings of horses. These paintings express the broad horizons of Muslim artist as he transferred their forms. Consequently these paintings were spread in multi-buildings sites like palaces and baths. \ In this study, we shall tackle the inscriptions that were made by the Muslim artists on movable things. It studies the naming of horses both linguistically and conventionally. It also cites the Quranic verses that mention this word, i.e. horse. In addition to many of Summerians and Assyrian landscapes. The artist made his the inscription on textiles and porcelain. To add, the researcher notices the great attention that have been by the artist to horses, as they were used as transport means to reach the farthest point in the world in the time. This is what was reflected by the Muslim artist in his work as an artist.
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| 653 |
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|a الخيول العربية
|a العصر العباسي
|a الفنون التطبيقية
|a رسوم الخيل
|a الفنون الإسلامية
|a النصوص السومرية
|a العراق
|a الآشوريون
|a النحت
|a العصر الإسلامي
|a الأخشاب
|a الزخرفة
|a الأعمال الفنية
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| 700 |
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|a الجمعة، أحمد قاسم علي
|e م. مشارك
|9 90611
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| 773 |
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|4 الادب
|6 Literature
|c 002
|f Ādāb al-rāfidayn
|l 060
|m ع 60
|o 0260
|s آداب الرافدين
|t Al Rafidain Arts
|v 000
|x 0378-2867
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| 856 |
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|u 0260-000-060-002.pdf
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| 930 |
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|d y
|p y
|q y
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| 995 |
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|a AraBase
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| 999 |
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|c 425490
|d 425490
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