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01583nam a22001937a 4500 |
001 |
1365795 |
044 |
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|b الجزائر
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100 |
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|9 122428
|a السوداني، حسن
|e مؤلف
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245 |
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|a الأيروتيكا والبعد الميثيولوجي لدى الفنان العراقي في المهجر :
|b قراءة نقدية في تجارب تشكيلية منفية
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260 |
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|b جامعة قاصدي مرباح - ورقلة
|c 2013
|g يونيو
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300 |
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|a 277 - 284
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336 |
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|a بحوث ومقالات
|b Article
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520 |
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|b Iraqi art, as a form of human activity for various reasons and in several changing types, is a reflection of a nation’s culture in a wider spectrum of civilization. In the field of plastic arts, more specifically in the art of painting, environment is a key driving force of stylistic transformations of this art resulting in the formation of several art styles in the world that vary between them in aesthetics, content, techniques and production. \ Iraqi art in Diaspora had its considerable share of transformations, influenced and interacting with cultural entities of the societies of the host countries \
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653 |
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|a الفنانون العراقيون
|a الفنون التشكيلية
|a الأيروتيكا
|a الاسطورة في الفن
|a النقد الفني
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773 |
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|4 اللغة واللغويات
|4 الأدب
|6 Language & Linguistics
|6 Literature
|c 021
|f Maqālīd
|l 004
|m ع 4
|o 1175
|s مجلة مقاليد
|t Makalid Journal
|v 000
|x 2253-0029
|
856 |
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|u 1175-000-004-021.pdf
|
930 |
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|d y
|p y
|q y
|
995 |
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|a AraBase
|
999 |
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|c 493158
|d 493158
|