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الرئيسية > الخوف في الشعر الاندلسي في عصر...>الوصف

الخوف في الشعر الاندلسي في عصر بني الأحمر 635 - 897 هـ

المؤلف الرئيسي: الجبوري، رحاب محمد فرج (مؤلف)
مؤلفين آخرين: التكريتي، أسماء صابر جاسم (مشرف)
التاريخ الميلادي: 2013
موقع: تكريت
التاريخ الهجري: 1434
الصفحات: 1 - 148
رقم MD: 612853
نوع المحتوى: رسائل جامعية
اللغة: العربية
الدرجة العلمية: رسالة ماجستير
الجامعة: جامعة تكريت
الكلية: كلية التربية
الدولة: العراق
قواعد المعلومات: Dissertations
مواضيع:
الشعر الاندلسي
عصر بني الأحمر
الخوف في الشعر
رابط المحتوى:
صفحة العنوان     
24 صفحة الأولى     

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المستخلص: Poetry is the most accurate depiction of life because it deals with what history neglects. Arabic literature, poetry in particular, has been given great attention by researchers whether in the East or in Andalusia. Andalusian poetry was wide field for researchers and scholars. That period of time was full of many beautiful images which cast a shadow over the Islamic era. Arabic Andalusian poetry responded to the Andalusian aspects of life and through poetry the poets began expressing their ideas and private feelings. Fear is one of the phenomena represented by the Andalusian poetry, especially in the era of Bani AL- Ahmer. This phenomenon, with its related concepts, is considered emotionally feeling stemming from the depths of the human being. It represents the poets perspectives in their poetic experiences. Those aspects included political, social and economic changes that led to multiple emitters of fear and left an impact in the hearts of poets. I chose this topic due to the importance of the topic and the lack of research and studies that dealt with fear in Andalusian poetry in the era of Bane- Al- Ahmer as compared with other poetic phenomena in literature Andalusian literature. In this study, I adopted the historical and analytical approach to clarify what the text included as implications and literary connotations. The thesis was divided into three chapters, Introduction and Conclusions.

The introduction included clarification of the term "fear" and clarifying its most important implications through its linguistic derivations. It also included a brief summary of the era of Bani- AL- Ahmer and the most prominent political events experienced by the country including vagaries and disturbances which influenced the cultural movement. The first chapter discussed fear of people. It included five sections. The first section dealt with the fear of slanders, envious and extent of people's fear of them for their attempts strife between the people. The second section dealt with fear of Allah. This fear raised the ire of lovers and it was widespread among poets. The third section addressed the fear of the Spaniard enemy who was a source of fear and the horror of to Andalusians. Section four addressed the fear of time and eon, while section five dealt whit fear of bad habits that hurt society. Chapter Two dealt with the fear of the fate of man in his lifetime and after his death. It included five sections. The first section addressed the fear of Almighty Allah and repentance for Him for forgiveness and the fear of Him. The second part dealt with the fear of aging and graying. Section three is about fear of death, which is the last stop of one's life in this world. Section four addressed the fear of the grave and its darkness while the fifth section dealt with the fear of the Judgment Day, punishment and reward one of his works. Chapter Three studies art. This chapter is of three sections. The first section addressed styles. The second section is a poetic image. The third section dealt with poetic music, including elements of the external and internal rhythm. The conclusion briefed the most important findings of this study.

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