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"The current research is marked aesthetic experience in the surrealist painting of four chapters the first chapter of the methodological framework consists of research and summarized the research problem to question (How crystallized the aesthetic vision of the surrealist painter( The second chapter of the theoretical framework and be one of the first two sections of beauty in philosophy either second topic surreal beauty and the subconscious has the second quarter ended indicators theoretical framework The third chapter represents the rules and regulations of research has been faithful to five samples represent examples of Surrealist painting analysis The loss ended the fourth quarter results and conclusions have been the most important results: 1. The looting of natural things of sense familiar and loaded meanings infinite symbols have no fixed significance but an echo of the passion of the artist touching inwardly and mind and consciousness are able to connect Balamtnahi and able to reach directly see another world is not surrounded by the senses, vision be able to fire the stuff from their frames specified familiar and reveal their relationship to the unseen presence the other, a pop-up of the inner world of a man who believes in things mysterious spirit and referred to the existence of a more imaginative and poetic so that with a known semantic symbols being lost password and mystery that surrounds the things The beauty is Almitafsiqi dimension that gives solid material meanings of the infinite, so enter stuff in illogical relationships. This convergence is expected and the magic of the stuff is a testament Jouanieh know Bmjahill self in terms of internal private life is gaining character sacred being proposes new ways to continue to transmit them things to concepts of self, this selforientation born new aesthetic surpassed the level of confined philosophy theories, so that the artist is no longer understood only What accomplish the same, in the self-visions find inner balance artist, as with the artist crucible for melting of contradictions and Alachkalat felic Surrealist goal is generally pleasing to the eye but also self-development capabilities of predictive and intuitive to reflect the fact exist and obsession, and increase the gestural power of forms for the detection of occult knowledge impartial from the outside world, and this was an echo of the man forced out of the human character is essentially humanitarian Tqms, making the presence of the artist gives a self-explanation Nkadiakma see it in the sample Hariko. 2. Surrealist ignore the language of art talk and did not hesitate to use more academic forms to record the implications of the unconscious, and the Modern Art effort to make art a dynamic process related to the same artist more than its connection to the outside world as a believer that the fact that the internal man is the only source of values, and what is its beauty is to reconcile one with itself, where the wishes of the vital human with absolute authority over any presence of another Surrealism and mechanisms that allow or permit to humans disclose his mental, emotional, and the incursion into the jungles of the subconscious banned freed man of moral concepts and taboos as legalized launch instincts without hesitation or shame, as promised creative process open to the door of the unconscious to release self from its balance unconscious all the hidden impulses repressed psychological and sediments, sexual and emotional CD catharsis and discharged necessary inner self here receives with extraneous itself becomes an integral part of its existence so that he can achieve a balance between of internal forces and the Forbidden State of social and religious organization's desire As we can see in the sample Dali. The most important conclusions: 1. The work of modern painting and drawing them Surrealist especially on the border between the melting beauty and ugly, so the modern artist allowed in more shapes chaotic beautiful shapes, pursuant proverb Alastatiqi beauty and independence of art in itself and in line with the freedom of the individual tendencies and the imagined and the need for expression. 2. sought drawing surreal to devote the idea that form the real can not surround the psychological, emotional and intellectual of implications of the self, and the figure Mahakata does not allow for the artist excellence and monopoly pursuant private Bapetkarh, was a manifestation of freedom in the modern era that work to give the absolute freedom of the artist in the methods of expression, which contributed to the events of the huge diversity that is not infinite in doorways pictorial demonstration of the"
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