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The current research is marked by the yard and Tmtlath in Surrealist painting of four chapters the first chapter of the methodological framework consists of research and summarized the research problem by asking (what is the yard and how was the surrealist painting) The second chapter of the theoretical framework and the first two sections of the yard in psychological studies either second topic in the courtyard surrealist painting was the second quarter ended indicators theoretical framework The third chapter represents the rules and regulations of research has been faithful to five samples represent examples of Surrealist painting analysis The loss ended the fourth quarter results and conclusions have been the most important results: 1. Understand the artist's Surrealist yard movement to the truth deeper after renewed life link annihilation belief artist in front of the yard is limited physically and strength lies the challenge and accomplishment, and the line that draw shapes goes beyond the borders of our limitations, auction model expresses his movement about the indications represent the courtyard is also a challenge of the courtyard of the manifestations of the outside world is shifting and the meridian and therefore does not carry us valuable eternal kills the spirit of the artist and make him live disconnections posed by the fact does not sanctify the artist's body fragile phenomena and addresses as strikes that never err by imagination and perceptions that make it connected side subconscious most firmly permanence Alrakzh in the human imagination through the form just liberated from reality horror yard to make the artist imagines life more solid, and show courage unique to face the courtyard and Deliverance always linked to the internal world and the emancipation of the families actually bars and live the adventure Fine of the wider doors Art is knowing authentic which is harder than that penetrates shares yard he created a spiritual not physical care Artist Surrealist balance in the image of power, the mouthpiece of controversial formality and semantic difference between life and yard and attraction forces the power of creation and artistic creativity going with confidence and a sense of permanence, intellectual activity and creative activity live in a positive way the outside world seeking to annihilate us not resist, creative euphoria kills phenomena and turning it into a succinct codes under the power of memory and imagination. As we can see that in a sample of Paul Klee. 2. The cities of industrial modernity killed the human spirit mark disappears terrible where human existence and prevail sleep inertia that environment so that he could live in the human body, it can not live in spirit (yard Spirit). There is no doubt that the yard when Surrealist is representing the vacuum sclerosis and alienation and loss of existence and vital body note that the value of a man lies in his soul and the loss means the courtyard referred What is sensory to an unknown and strange world of alternative Joe cities and factories that affect human their toxicity and kill him slowly in the world of cities do not feel human existence ،Vulkip life is imaginary solution to the expression of the human tragedy (yard Spirit) within the city yard Spirit is a sign of technical consumption creative energies become cities put the importance of the body by the Spirit and eating before the values and principles of the yard can Atzlsl to life at low vitality and offset (yard Spirit) here Yard shows as a way to exist, and not the end, which adapts and rehearse colored environment loses himself and dissolves the merger of his model of cultural significance yard Soul Man is immersed in factual (being given) without the option, be Tnahia clear through Dull forms geometric repetition and accumulation without representing something. If a person did not work and a certain point of view, it will disappear body and spirit. As we can see in the sample Hariko. The most important conclusions: 1. with Surrealist Art diverse trends appeared to understand the reality yard and all invest the world of dreams and visions, nightmares and all the contents of the unconscious, which bore within them instinctive destroyed, artist surreal sense of emptiness and emptiness that can be left by industrial society in human life and which requires adaptation rights with them to turn to is more like a machine heart and mind. It is known that the surrealist thought may collect between things that do not link among themselves in truth and carry things meanings is the usual sense, everything could indicate everything, input yard on human memory to know the meanings of things the merging yard symbolic with life, such as race and eating forces with the aim of sublimation and the escalation of the instinct of destruction has Libido also do not degrade Btamoihaa but live in another way, here the artist controls the fate of shapes and destiny and their meanings and smashed its skull and coherent body Aitilh broken and needed to deliver the idea. 2. The Surrealist in poses to the world after the yard depends signals posed dreams and decrepitude Altqa?a from the world of the subconscious, a scientist sensed yard unknown issue, and while is place to live ghost It's ethereal to humans after the yard which is indestructible, and the world beyond the yard where the image of man be more vitality and spiritual world of the same yard that is associated with atherosclerosis and decomposition. 3. with Surrealist Art diverse trends appeared to understand the reality yard and all invest the world of dreams and visions, nightmares and all the contents of the unconscious, which bore within them instinctive destroyed, artist surreal sense of emptiness and emptiness that can leave the industrial society in human life and which requires adaptation rights with them to turn to is more like a machine heart and mind. It is known that the surrealist thought may collect between things that do not link among themselves in truth and carry things meanings is the usual sense, everything could indicate everything, input yard on human memory to know the meanings of things the merging yard symbolic with life, such as race and eating forces with the aim of sublimation and the escalation of the instinct of destruction has Libido also do not degrade Btamoihaa but live in another way, here the artist controls the fate of shapes and destiny and their meanings and smashed its skull and coherent body Aitilh broken and needed to deliver the idea. 4. The Surrealist in poses to the world after the yard depends signals posed dreams and decrepitude Altqa?a from the world of the subconscious, a scientist sensed yard unknown issue, and while is place to live ghost It's ethereal to humans after the yard which is indestructible, and the world beyond the yard where the image of man be more vitality and spiritual world of the same yard that is associated with atherosclerosis and decomposition."
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