المستخلص: |
Our research primarily aims at exploring some insights about the writing of Kateb Yacine play entitled Le cadavre encerclé whose major feature is to reflect a transformation narrative space that represents a source of particular issues to destroy the colonial beliefs underlying the racial thesis of rejection as it serves as a springboard to illustrate the writer's inherent and personal innovation impact on the french language use. The transformation process is vehicled by the play writing in a poetic and symbolic way that reflects the colonized people's awakening along with their freedom's perspectives. In other terms the transformation process provides the evidence of the author's ideological and aesthetic conviction. Adding to this the speech figures, writing devices and procedures used skillfully with symbolic value such as metaphorical language etc... Such techniques contribute to rehearse the colonized people's awareness, especially after the 8th of May 1945 riots bringing about a renewal emphasized upon by the changes occuring in the instances's movement over time and space. However, that bloody historical event has been viewed as a major positive phase in the revolutionary process of liberation war and, the transformation process corresponds in fact, to a quest of freedom that managed to bridge the gap between both of the political and poetic levels.
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