ارسل ملاحظاتك

ارسل ملاحظاتك لنا







الصورة في الشعر النسوي الجاهلي

العنوان بلغة أخرى: The Image in the Pre-Islamic Women Poetry
المؤلف الرئيسي: عجلان، إحسان عليوي عبدالحسين (مؤلف)
مؤلفين آخرين: الغزي، عواد كاظم (مشرف)
التاريخ الميلادي: 2017
موقع: الناصرية
التاريخ الهجري: 1437
الصفحات: 1 - 165
رقم MD: 880431
نوع المحتوى: رسائل جامعية
اللغة: العربية
الدرجة العلمية: رسالة دكتوراه
الجامعة: جامعة ذي قار
الكلية: كلية الاداب
الدولة: العراق
قواعد المعلومات: Dissertations
مواضيع:
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

141

حفظ في:
المستخلص: The poetry is balanced, and the weight and the rhyme are two qualities of its qualities. How much of the words of a balanced person is concealed, not of the poetry in a thing. What makes a poetry? Is it weight? Or Rhyme? Or something else? Perhaps I will answer this question spontaneously poetically simplified, from the same practiced poetry and owe her age to him, I say :The poetry is simply a poetry, it is the moment of balance with the world! However, this answer, which is accepted in a poetic sense, will not be accepted simply by criticism. And accepted the poetry and rejection of criticism, I wonder again, why is the previous answer acceptable poetically? He answered the poet's pride: because it is based on the image, poetry as a verb, verbal, sensual, verbal, but it has become a temporal awareness of temporal/ moment of balance. This moment of balance evokes imagination and reality, making poetry in the cusp, and the world in the other, it offers its own definition through its portrait to draw us the truth of poetry by passion. Everything that poetry can convince us by the force of its passion is a picture of the truth. In poetry there are contradictions other than those that result from lack of talent. From here the attention to the image and study, the shortest way to the heart of the poetry, so the picture was the way of this research, to study the poetry of women ignorant. Because the importance of pre-Islamic poetry as the root of the oldest Arabic poetry, which raises the attempt to understand and absorbed visions of various topics linked to the awareness of Arab poetry and understanding of the roots, and then the celebration of the pre-Islamic women's poetry is a human addition to poetry and human, as a poetry belongs to the circle of cultural margin, Complement or hostess or paradox to see it , by trying to reveal the ignorant poet and completed the attachment of her vision and look for the image in her poetry as the living spirit of the poetry and instrument that carries the motto and express the essence Therefore, the study tried to stay away from tracing the image from a specific angle of technical or rhetorical or psychological, and keen on the image dialogue as a preliminary idea raises the moment of receiving surprise and attention to the meaning and significance and structure, so the approach followed in the tracing, analysis and discussion, was derived from the picture and its nature, Because the diversity of the image in the pre-Islamic women's poetry variety striking, stretching to many engines, may intersect or parallel, which makes the attempt to subjugate her neck and neck to suit a curriculum, it is scratching poetry and Khnunth, poetry says and the methodology is calculated. This study was organized in three chapters, preceded by a preface on the image and poetry of women.

عناصر مشابهة