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شعرية النوع الأدبي

العنوان بلغة أخرى: Literary Genre Poetics
المصدر: فصول
الناشر: الهيئة المصرية العامة للكتاب
المؤلف الرئيسي: الكردي، عبدالرحيم محمد عبدالرحيم (مؤلف)
المجلد/العدد: ع98
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2017
الشهر: شتاء
الصفحات: 15 - 23
ISSN: 1110-0702
رقم MD: 892509
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: AraBase
مواضيع:
كلمات المؤلف المفتاحية:
Literary Genre | Poetics | Rhetoric
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

19

حفظ في:
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041 |a ara 
044 |b مصر 
100 |a الكردي، عبدالرحيم محمد عبدالرحيم  |g Alkordy, Abdel Rahim Mohammad  |e مؤلف  |9 160444 
245 |a شعرية النوع الأدبي 
246 |a Literary Genre Poetics 
260 |b الهيئة المصرية العامة للكتاب  |c 2017  |g شتاء 
300 |a 15 - 23 
336 |a بحوث ومقالات  |b Article 
520 |b Not all breaking of the rules or any violation of the technical, linguistic and logical laws is acceptable because there are essentialist and non-essentialist or orthodox limits; determined by the artistic taste of the era and culture, if the writer exceeds the limit, and exaggerates in breaking barriers; his work will become unacceptable, perhaps even considered as some kind of absurd or silly piece of writing. In addition, if he falls behind, his work becomes traditional for freedom needs to be organized and accepted to be welcomed whether it in breaking the rules of genre or in breaking metaphor tradition and musical frameworks. Creating a new form is not some sort of jumping into the unknown, it is an uncovering of a technical pattern, which exists in the collective taste, or generated in that taste by cultural evolution, which has been missed in the area of artistic consciousness, it is an exploration of few new ways of beauty, which was invisible. Rhetoricians alerted for something else long ago. If such violation of artistic laws has settled and became a norm and tradition, and the authors used to create by its mode, so its poetic will fade, it will become like other usual linguistic expressions and traditional forms; because in this case, it has become a mold, in which rebel against is expected. 
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