المستخلص: |
Research on parody in Egypt in the Ottoman era presents motivations and opinions of the old critics, speakers and conditions of its artistic quality and feasibility, and the related sarcasm, slander and libel. In addition, the researcher handled the poetic performance and artistic expression, and reported the key features of poetic language of parody represented in the lexicon of easiness and facility. The research provided justification for this attributed to the nature of Egyptian environment and the art of parody itself. In addition, the research handled slander and statement, building of poem and limitation of parody and interpretation of this, and the poetic form and dominance of partial images followed by rhythm of setting and garnishment, good division, simile, terza Rima, and their effect on music and its role in enrichment of meaning and quality of structure.
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