العنوان بلغة أخرى: |
Morphological Adjective Structures in the Seven Poems |
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المؤلف الرئيسي: | الأبتر، روضة الزروق علي (مؤلف) |
مؤلفين آخرين: | إمبية، عبدالوهاب خلف الله (مشرف) |
التاريخ الميلادي: |
2015
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موقع: | سبها |
الصفحات: | 1 - 112 |
رقم MD: | 904241 |
نوع المحتوى: | رسائل جامعية |
اللغة: | العربية |
الدرجة العلمية: | رسالة ماجستير |
الجامعة: | جامعة سبها |
الكلية: | كلية الآداب |
الدولة: | ليبيا |
قواعد المعلومات: | Dissertations |
مواضيع: | |
رابط المحتوى: |
المستخلص: |
This study has treated the morphological adjective via morphological study and practiced and analyzed these structures and reflect it no a cultural accumulation which incarnates the Arabic genuine matrimony (the Seven poems) through gathering its structures, and how each signification form is used and its role in terms of meaning. Main results of this study: 1-most of morphological adjective forms stated in the seven poems are formulated from the radical trine intransitive verb. 2-some morphological adjective structures are not cited in the seven poems like form ( Faalan –Faal_) that indicates emotion or fullness indication and the other form (Faalan of which the female form bears T like Faalana) which is limited-use form, the form (Faoola) like (Nadoussa) and (Feiaalan) like (Beiihan) and form (Fouela) like (Khoudeaa). 3-it is cited in the seven poems morphological adjective fifteen forms from standard adjective which is the most frequent form (Foaail) which is cited in all seven poems and less cited form is (Faoola) which only cited in the poem f Antara Ben Sheddad and cited in this poem one time . I think that the cause of these difference is the influence of the juxtaposed voices in choosing and difference of the form (Fooeil) is lightest in pronouncing than (Foueela) as a result of heaviness of Addama and nearness of its outlet. 4-all forms of morphological adjective are standard and not as is revealed for me in this study. 5- the total of cited morphological adjective in the seven poems is (115) forms. |
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