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|3 10.12816/0036909
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| 041 |
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|a ara
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| 044 |
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|b مصر
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| 100 |
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|a علي، عماد علي حسني
|g Ali, Emad Ali Hosni
|e مؤلف
|9 496343
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| 245 |
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|a الخط كعنصر تشكيلي في النحت البارز
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| 246 |
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|a Line as a Formative Element in the Contemporary Relief Sculpture in the West
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| 260 |
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|b الجمعية العربية للحضارة والفنون الإسلامية
|c 2017
|g أبريل
|m 1438
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| 300 |
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|a 374 - 385
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| 336 |
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|a بحوث ومقالات
|b Article
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|b The contemporary relief sculpture' artist uses the lines along with the rest of artistic formation elements to achieve his idea, and works to place them in accordance with his vision and personality, as there were many lines and a variety of formations in the contemporary relief sculpture through the artworks of the pioneers of this art and its consecutive generations, then their artworks where they use the line have gained a great attention, where the artist dealt with them consciously, as he used different techniques that could be adapted depending on the artistic subject, its performance style, and the substantial role of lines in its construction and its relation to the formation elements. This was the result of the scientific and technological development, the scientific discoveries and the enormous industrial progress that has occurred in the twentieth century and the consequent multiplicity of various intellectual trends that appropriate with the age and its events. Trends and Modern Art Movements were formed and had the greatest impact on changing the concept of the relief sculpture art changing of its forms, and had multiple formulations that wasn't happen in relief sculpture movement in ancient civilizations
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|a لقد شهد الخط تطوراً جديداً في فن النحت البارز المعاصر في دول الغرب، وتكونت مفاهيمه كعنصر تشكيلي عما كان شائعاً ومألوفاً من قبل، حيث تناوله الفنان المعاصر تناولاً جديداً، واستطاع أن يكشف عن أبعاده المختلفة وامكانياته المتعددة التي أكدت طاقاته التعبيرية والتشكيلية، مستثمراً منتجات العلم والتكنولوجيا من مواد مختلفة ووسائل مستحدثة، في فتح أفق جديدة للخلق والإبداع في مجال التشكيل للخط.
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| 653 |
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|a النحت البارز
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| 653 |
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|a الخط
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| 653 |
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|a النحت
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| 692 |
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|a خط
|a نحت بارز
|a معاصر
|a عنصر
|a تشكيلي
|a الغرب
|b line
|b relief Sculpture
|b Contemporary
|b element
|b formative
|b the west
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| 700 |
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|9 496346
|a محمود، يوسف
|e م. مشارك
|g Mahmoud, Youssef
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| 700 |
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|9 496347
|a مسكين، أسماء عطيتو
|e م. مشارك
|g Masken, Asmaa Atito
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| 773 |
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|4 العلوم الإنسانية ، متعددة التخصصات
|4 فنون
|6 Humanities, Multidisciplinary
|6 Art
|c 024
|e Journal of Architecture, Arts and Humanistic Science
|f Maǧallaẗ al-Ǧam’iyyaẗ al-ʿarabiyyaẗ lil-Ḥaḍārh wa al-Funūn al-islāmiyyaẗ
|l 006
|m ع6
|o 1912
|s مجلة العمارة والفنون والعلوم الإنسانية
|v 000
|x 2356-9654
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| 856 |
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|n https://mjaf.journals.ekb.eg/article_21033.html
|u 1912-000-006-024.pdf
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| 930 |
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|d y
|p y
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| 995 |
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|a HumanIndex
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| 999 |
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|c 924888
|d 924888
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