Resistance in the Prairie: Laura Ingalls Wilder’s Little House Series and the (Male) Mythologies of the Frontier
| المصدر: | مجلة الخطاب |
|---|---|
| الناشر: | جامعة مولود معمري تيزي وزو - كلية الآداب واللغات - مخبر تحليل الخطاب |
| المؤلف الرئيسي: | Afettouche, Belaid (Author) |
| مؤلفين آخرين: | Guendouzi, Amar (Co-Author) |
| المجلد/العدد: | مج13, ع2 |
| محكمة: | نعم |
| الدولة: |
الجزائر |
| التاريخ الميلادي: |
2018
|
| الشهر: | جوان |
| الصفحات: | 355 - 370 |
| DOI: |
10.37141/1451-013-002-015 |
| ISSN: |
1112-7082 |
| رقم MD: | 963706 |
| نوع المحتوى: | بحوث ومقالات |
| اللغة: | الإنجليزية |
| قواعد المعلومات: | AraBase |
| مواضيع: | |
| كلمات المؤلف المفتاحية: |
The Myth of the American Frontier | Man | Woman | Dialogue | Social Roles | The Private and the Public Spaces
|
| رابط المحتوى: |
عدد مرات التحميل
2
| المستخلص: |
Since Jackson Turner’s The Significance of the Frontier in American History (1893), the legendary American Westward Frontier is often regarded as a male-dominated space, wherein women are absent or relegated into a subaltern position involving mostly and simply the four principles of the Victorian ‘cult of womanhood’, namely piety, purity, submissiveness, and domesticity. Contrary to this dominant view, this paper tries to demonstrate that the Frontier was not solely a masculine monolithic space; it was also an ideological stage engaged by American women writers in their discussions of gender-related issues, such as social roles, the private and the public spaces. For this sake, Laura Ingalls Wilder’s Little House series is studied in order to illustrate how the author contests the dominant narrative of the Frontier by dialogizing the discourse of her male counterparts and negotiating a new relationship with the natural landscape of the Frontier. |
|---|---|
| ISSN: |
1112-7082 |
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