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Comparative Historical Study of Changsha kiln Ware: Design for Persian Islamic Need

المصدر: مجلة التصميم الدولية
الناشر: الجمعية العلمية للمصممين
المؤلف الرئيسي: Renke, He (Author)
مؤلفين آخرين: Jaafarnia, Mohsen (Co-Author) , Li, Shiliang (Co-Author) , He, Fang (Co-Author)
المجلد/العدد: مج5, ع3
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2015
الشهر: يونيو
الصفحات: 1031 - 1038
DOI: 10.21608/IDJ.2015.92708
ISSN: 2090-9632
رقم MD: 984511
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Changsha Kiln | Persian Painting | Islamic Calligraphy | Porcelain
رابط المحتوى:
صورة الغلاف QR قانون

عدد مرات التحميل

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LEADER 02668nam a22002657a 4500
001 1727498
024 |3 10.21608/IDJ.2015.92708 
041 |a eng 
044 |b مصر 
100 |9 531219  |a Renke, He  |e Author 
245 |a Comparative Historical Study of Changsha kiln Ware:  |b Design for Persian Islamic Need 
260 |b الجمعية العلمية للمصممين  |c 2015  |g يونيو 
300 |a 1031 - 1038 
336 |a بحوث ومقالات  |b Article 
520 |b "This product design comparative study with respect to form preferences, offers diverse challenges pertaining to form preference, cultural preference, economic influences, technological literacy, gender and regional preferences. This paper uses a comparison methodology involving evidences and substantiation data. The data assimilated is based on a widespread historical research conducted on past commercial relation between Persia and China. It has evolved an approach that covers the wide domains of history of the evolution of product forms. Studying discovered ware of Changsha Kiln and remains of the sunken ship in the sea near the Malaysian coastline have helped build a comparative link between the Changsha Kiln and Islamic Persian porcelain, based entirely on decorations, manufacturing techniques and colour. In this study one can identify the influences of lifestyle and culture of Abbasid Dynasty on product design development which has been mapped in this research. Over time, changes in lifestyle and culture have determined the product form which is influenced by a combination of Islamic calligraphy and Persian painting leading to the creation of a new product during that period. Such visual comprehensive study are conducted few and far in between, particularly in the context of product design studies. We believe the study of history often yields clues to the future. Therefore it could form a significant knowledge base for designers engaged in design of products based on different cultural contexts." 
653 |a تصميم المنتجات  |a الدراسات المقارنة  |a الحضارة الإسلامية 
692 |b Changsha Kiln  |b Persian Painting  |b Islamic Calligraphy  |b Porcelain 
700 |9 530974  |a Jaafarnia, Mohsen  |e Co-Author 
700 |9 531221  |a Li, Shiliang  |e Co-Author 
700 |9 531220  |a He, Fang  |e Co-Author 
773 |4 فنون  |6 Art  |c 007  |e International Design Journal  |f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ  |l 003  |m مج5, ع3  |o 2048  |s مجلة التصميم الدولية  |v 005  |x 2090-9632 
856 |n https://idj.journals.ekb.eg/article_92708_ar.html  |u 2048-005-003-007.pdf 
930 |d y  |p y  |q n 
995 |a HumanIndex 
999 |c 984511  |d 984511 

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