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La Femme Orientale Dans la Littérature du Xviiie Siècle: Images et Représentations

المؤلف الرئيسي: Bani Baker, Muna (Author)
مؤلفين آخرين: Lafont, Suzanne (Advisor) , Seguin, Maria Susana (Advisor)
التاريخ الميلادي: 2018
موقع: مونبلييه
الصفحات: 1 - 413
رقم MD: 996708
نوع المحتوى: رسائل جامعية
اللغة: الفرنسية
الدرجة العلمية: رسالة دكتوراه
الجامعة: Université Paul Valéry - Montpellier III
الكلية: Faculté Des Lettres, Arts, Philosophie, Psychanalyse
الدولة: فرنسا
قواعد المعلومات: +Dissertations
مواضيع:
رابط المحتوى:

الناشر لهذه المادة لم يسمح بإتاحتها.

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100 |9 537465  |a Bani Baker, Muna  |e Author 
245 |a La Femme Orientale Dans la Littérature du Xviiie Siècle:  |b Images et Représentations 
260 |a مونبلييه  |c 2018 
300 |a 1 - 413 
336 |a رسائل جامعية 
502 |b رسالة دكتوراه  |c Université Paul Valéry - Montpellier III  |f Faculté Des Lettres, Arts, Philosophie, Psychanalyse  |g فرنسا  |o 0001 
520 |a In light of important researches published on the woman’s figure, this doctoral dissertation focuses on the figure of the Oriental woman, especially the Muslim woman. Some writers used the figure of the woman as a literary trope in order to highlight Enlightenment values. This research is principally based on French literary genres and intersects various forms, such as novels, fables, and dramas. It also takes into account English literary works translated into French, which tell the stories of English women’s journeys in Turkey. We will study the presence, the role, and the characteristics of the Oriental woman principally in Montesquieu’s Lettres persanes, in addition to the works of Voltaire, Diderot, François, Baron de Tott and Lady Mary Wortley Montagu. For those writers, the Oriental woman represented this ‘Other’ through whom they built social, moral, political and literary discourses. For the readers, she was this ‘Other’ who triggered in them attraction, rejection, curiosity and condemnation. The figure of the Oriental woman created a space where discourses of femininity (love, seduction, marriage) could be developed. The figure of the Oriental woman as trope was therefore reinterpreted in religious, social and political contexts and related to some universal values, such as freedom and equality between human beings. Therefore, her presence in literary works implies a gaze on the ‘Other’ as well as on the ‘Self’. Hence, the dissertation concludes that the representation of Oriental woman was a Western invention that was not intended to impose itself as a historical and cultural reality but rather, it was considered as a variant of the same stereotype to serve the aesthetic, intellectual, and philosophical projects of the Enlightenment. 
653 |a الأدب الفرنسي  |a المرأة الشرقية  |a المرأة المسلمة 
700 |9 537474  |a Lafont, Suzanne  |e Advisor 
700 |9 537477  |a Seguin, Maria Susana  |e Advisor 
856 |u 9833-016-002-0001-T.pdf  |y صفحة العنوان 
856 |u 9833-016-002-0001-A.pdf  |y المستخلص 
856 |u 9833-016-002-0001-C.pdf  |y قائمة المحتويات 
856 |u 9833-016-002-0001-F.pdf  |y 24 صفحة الأولى 
856 |u 9833-016-002-0001-0.pdf  |y الفصل التمهيدي 
856 |u 9833-016-002-0001-1.pdf  |y 1 الفصل 
856 |u 9833-016-002-0001-2.pdf  |y 2 الفصل 
856 |u 9833-016-002-0001-3.pdf  |y 3 الفصل 
856 |u 9833-016-002-0001-O.pdf  |y الخاتمة 
856 |u 9833-016-002-0001-R.pdf  |y المصادر والمراجع 
930 |d n 
995 |a +Dissertations 
999 |c 996708  |d 996708 

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