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The Dual Concept of Sustainability of Printmaking Art in the Middle East

المصدر: مجلة التصميم الدولية
الناشر: الجمعية العلمية للمصممين
المؤلف الرئيسي: A. Sabour, Wael (Author)
مؤلفين آخرين: Mohamed, A. Kader (Co-Author)
المجلد/العدد: مج10, ع3
محكمة: نعم
الدولة: مصر
التاريخ الميلادي: 2020
الشهر: يوليو
الصفحات: 501 - 506
DOI: 10.21608/IDJ.2020.96840
ISSN: 2090-9632
رقم MD: 1165425
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: HumanIndex
مواضيع:
كلمات المؤلف المفتاحية:
Sustainability | Experimental Printmaking | Printmaking Co-Ops
رابط المحتوى:
صورة الغلاف QR قانون

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024 |3 10.21608/IDJ.2020.96840 
041 |a eng 
044 |b مصر 
100 |a A. Sabour, Wael  |e Author  |9 617214 
245 |a The Dual Concept of Sustainability of Printmaking Art in the Middle East 
260 |b الجمعية العلمية للمصممين  |c 2020  |g يوليو 
300 |a 501 - 506 
336 |a بحوث ومقالات  |b Article 
520 |b Printmaking is a major art dripline that is being taught worldwide and in different art programs in the middle east, however for several reasons printmaking graduates usually face several obstacles that prevent them from pursuing their art outside their educational institutions. The sustainability of printmaking art in the Middle East depends greatly on the possibility of creating a system that allows printmaking to excel outside the educational institutions either on the production or on the promotion levels. Unfortunately, the concept of sustainability of printmaking art outside the educational institutions is not necessarily consequential for most art programs in the Middle East. Despite the current evolution in the arena of contemporary printmaking art, many educational printmaking programs still teach printmaking art in a very conventional conservative fashion that no longer qualify the students to continue working after graduation. This research investigates different possible solutions that may allow the sustainability of Printmaking Art and Artists in the Middle East. To accomplish that goal, the researcher suggests various approaches that may allow the enhancement of Printmaking art and ensure its sustainability outside the educational institution including, investigating, developing and teaching simple innovative printmaking methods that do not require special equipment or materials to execute. Printmaking by nature is an experimental art and printmakers throughout the course of history have pushed the boundaries of technical exploration. Another approach to tackle the problem of sustainability of printmaking art in the Middle East is to find a solution for the production, promoting and marketing aspects of printmaking outside the educational institutions and one of the suggested models for that is printmaking co-operatives. Another possibility to solve the sustainability problem of printmaking art in the Middle East is to utilize printmaking as a production tool in small manual printing projects. One great economical characteristic of printmaking is mass production. Printmaking can be utilized effectively as a mass production tool for small printing projects such as T Shirt printing, fabric printing, and even in walls decoration. 
653 |a فن الطباعة  |a المشروعات الصغير  |a خريجو الجامعات  |a المؤسسات التعليمية 
692 |b Sustainability  |b Experimental Printmaking  |b Printmaking Co-Ops 
700 |a Mohamed, A. Kader  |e Co-Author  |9 624595 
773 |4 فنون  |6 Art  |c 038  |e International Design Journal  |f Mağallaẗ Al-taṣmim Al-Dawliyyaẗ  |l 003  |m مج10, ع3  |o 2048  |s مجلة التصميم الدولية  |v 010  |x 2090-9632 
856 |u 2048-010-003-038.pdf  |n https://idj.journals.ekb.eg/article_96840_ar.html 
930 |d y  |p y  |q n 
995 |a HumanIndex 
999 |c 1165425  |d 1165425 

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