المستخلص: |
Islamic civilization with its geometric ornaments with sporting laws and geometric foundations achieves aesthetic values that dazzle all civilizations on their own. They have geometric vocabulary associated with each other as a series of simple or complex relationships of contact, overlay, exchange and fondness that suggest an appreciative movement of the eye. This research revolves around the origins of Islamic art and its attributes of moving away from the representation of living beings, austerity, filling of spaces, repetition, surface decorations, geometric swab and color symbols and the Islamic civilization is one of the most important and great civilizations in the history of humanity. This was highlighted in the architecture of the mosques full of decoration, which barely leaves a vacuum and elements of Islamic decoration the plant elements. The field of plant decorations is one of the important fields in which the Muslim artist travelled and created different plant forms that departed from nature. There are also animal elements that have emerged gradually through overlapping plant decorations or photographs. Islamic art is characterized by written elements. It is considered one of the most beautiful elements of Islamic decorative. The writings have been used in ornamental formations such as Koranic verses, prophetic hadiths, archaeology, proverbs, hairdressing and prayers. The methods of writing have varied. This research also includes Islamic decorative units linear and written such as manuscripts, calligraphy and antiques as Arabs have never taken up Arabic lines before Islam emerged as an ornament, Research promises the most important aesthetic values in Islamic art of freedom, creativity and search for ideals, sublimation and divorce.
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