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Aesthetic and Intellectual Components of the Motifs of Islamic Art

المصدر: مجلة الجامعة العراقية
الناشر: الجامعة العراقية - مركز البحوث والدراسات الإسلامية
المؤلف الرئيسي: Al-Arifi, Tahani Mohammad Nasser (Author)
المجلد/العدد: ع59, ج1
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2023
التاريخ الهجري: 1444
الشهر: آذار
الصفحات: 718 - 729
ISSN: 1813-4521
رقم MD: 1373181
نوع المحتوى: بحوث ومقالات
اللغة: الإنجليزية
قواعد المعلومات: IslamicInfo
مواضيع:
كلمات المؤلف المفتاحية:
Austerity | Repetition | Sublimation | Launch | Geometric Swab | Color Symbol | Aesthetic Values
رابط المحتوى:
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044 |b العراق 
100 |9 727246  |a Al-Arifi, Tahani Mohammad Nasser  |e Author 
245 |a Aesthetic and Intellectual Components of the Motifs of Islamic Art 
260 |b الجامعة العراقية - مركز البحوث والدراسات الإسلامية  |c 2023  |g آذار  |m 1444 
300 |a 718 - 729 
336 |a بحوث ومقالات  |b Article 
520 |b Islamic civilization with its geometric ornaments with sporting laws and geometric foundations achieves aesthetic values that dazzle all civilizations on their own. They have geometric vocabulary associated with each other as a series of simple or complex relationships of contact, overlay, exchange and fondness that suggest an appreciative movement of the eye. This research revolves around the origins of Islamic art and its attributes of moving away from the representation of living beings, austerity, filling of spaces, repetition, surface decorations, geometric swab and color symbols and the Islamic civilization is one of the most important and great civilizations in the history of humanity. This was highlighted in the architecture of the mosques full of decoration, which barely leaves a vacuum and elements of Islamic decoration the plant elements. The field of plant decorations is one of the important fields in which the Muslim artist travelled and created different plant forms that departed from nature. There are also animal elements that have emerged gradually through overlapping plant decorations or photographs. Islamic art is characterized by written elements. It is considered one of the most beautiful elements of Islamic decorative. The writings have been used in ornamental formations such as Koranic verses, prophetic hadiths, archaeology, proverbs, hairdressing and prayers. The methods of writing have varied. This research also includes Islamic decorative units linear and written such as manuscripts, calligraphy and antiques as Arabs have never taken up Arabic lines before Islam emerged as an ornament, Research promises the most important aesthetic values in Islamic art of freedom, creativity and search for ideals, sublimation and divorce. 
653 |a التربية الفنية  |a الفن الإسلامي  |a القيم الجمالية  |a الحضارة الإسلامية 
692 |b Austerity  |b Repetition  |b Sublimation  |b Launch   |b Geometric Swab  |b Color Symbol  |b Aesthetic Values 
773 |4 الدراسات الإسلامية  |6 Islamic Studies  |c 037  |e Journal of The Iraqi University  |f Maǧallat al-ğāmiʻaẗ al-islāmiyyaẗ  |l 001  |m ع59, ج1  |o 2164  |s مجلة الجامعة العراقية  |v 059  |x 1813-4521 
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995 |a IslamicInfo 
999 |c 1373181  |d 1373181 

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