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الرئيسية > السمات البيانية التصويرية في ش...>الوصف

السمات البيانية التصويرية في شعر مخلد بن بكار الموصلي

العنوان بلغة أخرى: Pictorial Features in the Poetry of Mukhlid Bin Bakkar Al-Mawsili
المصدر: مجلة الدراسات المستدامة
الناشر: الجمعية العلمية للدراسات التربوية المستدامة
المؤلف الرئيسي: الحسيني، محمد جاسم محمد عباس (مؤلف)
المؤلف الرئيسي (الإنجليزية): Al-Husseiny, Mohammed Jasim Mohammed Abbas
المجلد/العدد: مج6, ملحق
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2024
التاريخ الهجري: 1445
الشهر: شباط
الصفحات: 56 - 81
ISSN: 2663-2284
رقم MD: 1444552
نوع المحتوى: بحوث ومقالات
اللغة: العربية
قواعد المعلومات: EduSearch
مواضيع:
النصوص الشعرية | الصور الفنية | التشبيه البلاغي | التصوير البياني | الموصلي، مخلد بن بكار، ت. 232 هـ.
كلمات المؤلف المفتاحية:
البيان | التشبيه | البلاغة | الدلالة | المجاز | Statement | Simile | Rhetoric | Connotation | Metaphor
رابط المحتوى:
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المستخلص: This research explores the diverse methods of musical composition aligned with various dramatic styles to meet performance requirements. Religious dramatic music, specifically oratorio, represents a genre entirely reliant on musical composition to convey its dramatic elements. The study aims to investigate the operational mechanisms of musical composition METHODS in Oratorio performances. The first chapter addresses the research problem: What performance techniques have been adopted in the musical composition of Oratorio presentations? It emphasizes the significance, necessity, and objective of the research, aiming to identify the performance techniques employed in musical composition within the Oratorio genre. The chapter also defines the temporal and spatial limits of the research, outlines the subject boundaries, and delves into key terminologies featured in the research title. The second chapter comprises two sections. The first delves into the concept of musical composition and its performance aspects in drama. The second section involves a historical study of selected Oratorio productions, covering their origins, development, and a review of previous studies, leading to the theoretical framework. The third chapter outlines the research community, its sample, and the methodology employed. The study follows a descriptive-analytical approach, constructing a research tool for analyzing the research sample. The fourth chapter presents key findings, conclusions drawn by the researcher along with recommendations and proposals. The study concludes with a list of references used in the research: Methods of Musical Composition in Lyrical Religious Drama- Oratorio of the Nativity of Jesus as a model.

This study is bassed on searching for the stylistic and graphic characteristics in the poetry of mukhlid al-mawsili and showing the semantic features in the arts that the poet relied on, such as simile, its tools and images, metaphor in its linguistic and mental types, and the art of metonymy. All of this revolves around an exhibition of the poet's intention to show his creativity in expressing his meanings in different artistic ways. Especially since he, the poet mukhlid al-mawsili, had contemporaries of great abbasid poests, led by abu tammam al-tai and other great abbasid poets, so it was necessary for him to elevate his poetry to the ranks of the poetry of those who contemporaneous them, even if by trying. The production was abundant with wonderful artistic and graphic images that reveal his superior ability and his distinguished position among poets of his time. Therefore, the aim of the study is to search for the meaning behind the poet's methods charts and showing their purpose.
ISSN: 2663-2284

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