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|a eng
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044 |
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|b الجزائر
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100 |
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|9 667039
|a Elbah, Zoulaikha
|e Author
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245 |
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|a Ideological Discourse Analysis of on-Screen Discourse on Terrorism
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260 |
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|b جامعة وهران 2 محمد بن أحمد - كلية اللغات الأجنبية
|c 2024
|g جوان
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300 |
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|a 450 - 464
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336 |
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|a بحوث ومقالات
|b Article
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520 |
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|b The purpose of the current study is to shed light on the representation of Arabs and Muslims in Hollywood on-screen discourse on terrorism. It seeks to answer, especially, three main questions: What is the difference, if any, between pre- and post- 9/11 representation of Arabs and Muslims? Does post- 9/11 on-screen discourse reflect true experiences of soldiers in battlefields? And how is Islam perceived by westerners? To analyse the on-screen discourse, we have adopted Van Dijk’s model of Ideological Discourse Analysis. The chosen data consider pre-and post- 9/11 attacks. As such, it comprises six films before and after this event. The analysis of on-screen discourse reveals that after 9/11 attacks, there has been a shift from a comical representation to a serious one. Also, post- 9/11 on-screen discourse on terrorism either depicts or simulates true experiences of American soldiers in battlefields. Besides, Islam is represented as a threatening radical ideology against a peaceful world.
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653 |
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|a ظاهرة الإرهاب
|a التحليل النقدي للخطاب
|a علم الاجتماع السياسي
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692 |
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|b Terrorism
|b Islam
|b 9/11 Attacks
|b Hollywood Discourse
|b Political Propaganda
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773 |
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|4 اللغة واللغويات
|6 Language & Linguistics
|c 036
|e Algerian Translation and Languages Journal
|f Altralang journal
|l 001
|m مج6, ع1
|o 2458
|s المجلة الجزائرية للترجمة واللغات
|v 006
|x 2710-7922
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856 |
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|u 2458-006-001-036.pdf
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930 |
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|d y
|p y
|q n
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995 |
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|a AraBase
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999 |
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|c 1480297
|d 1480297
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