LEADER |
01843nam a22002177a 4500 |
001 |
2249371 |
041 |
|
|
|a eng
|
044 |
|
|
|b مصر
|
100 |
|
|
|9 650407
|a Elsheemi, Ahmad Abdellah
|e Author
|
245 |
|
|
|a Dramatic Silence in the Plays of Naguib Mahfouz
|
260 |
|
|
|b جامعة القاهرة - فرع الخرطوم - كلية الآداب
|c 2024
|g يوليو
|
300 |
|
|
|a 1 - 30
|
336 |
|
|
|a بحوث ومقالات
|b Article
|
520 |
|
|
|b In the plays of Naguib Mahfouz: "Yumeet wa Yuhyui" (Death and Resurrection), "Al-Tarika" (The Legacy), "Al-Nagah" (The Salvation), Mashru' "Lilmunaqasha" (A Draft Proposal)", "Al-Muhemah" (The Task), "Al-Mutaradah" (Chase). We want to prove that silence in these plays is the main character; the hero; the initiator of all action. Mahfouz treated silence as a very important dramatic element, influenced by a long tradition of using silence in drama since Sophocles to Harold Pinter and Samuel Beckett. It is suggested that Mahfouz uses all forms of silence in these plays, we shall concentrate on five main forms: suspension dots, pointed silence, stage direction pauses, and suspension sentences.
|
653 |
|
|
|a الصمت الدرامي
|a الأدب المسرحي
|a محفوظ، نجيب، ت. 2006 م.
|
773 |
|
|
|4 العلوم الإنسانية ، متعددة التخصصات
|4 العلوم الاجتماعية ، متعددة التخصصات
|6 Humanities, Multidisciplinary
|6 Social Sciences, Interdisciplinary
|c 001
|f Wadī Al-Nīl Lil Dirāsāt wa Al-Buẖūṯ Al-Insāniyyaẗ wa Al-Iğtimāʿiyyaẗ wa Al-Tarbawiyyaẗ
|l 001
|m ع43
|o 2370
|s مجلة وادي النيل للدراسات والبحوث الإنسانية والاجتماعية والتربوية
|v 000
|x 2536-9555
|
856 |
|
|
|u 2370-000-043-001.pdf
|
930 |
|
|
|d y
|p y
|q n
|
995 |
|
|
|a EduSearch
|
995 |
|
|
|a HumanIndex
|
999 |
|
|
|c 1505781
|d 1505781
|