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الرئيسية > التناص في شعر أحمد مطر...>مارك

التناص في شعر أحمد مطر

المصدر: مجلة آداب المستنصرية
الناشر: الجامعة المستنصرية - كلية الآداب
المؤلف الرئيسي: عبيد، عبدالمنعم جبار (مؤلف)
مؤلفين آخرين: خضير، سلافة صائب (م. مشارك)
المجلد/العدد: ع 53
محكمة: نعم
الدولة: العراق
التاريخ الميلادي: 2009
الصفحات: 225 - 566
ISSN: 0258-1086
رقم MD: 425896
نوع المحتوى: بحوث ومقالات
قواعد المعلومات: AraBase
مواضيع:
الشعر العربي | مطر، أحمد، 1954- | التراجم | الأدب العربي | التناص | النقد الأدبي
رابط المحتوى:

الناشر لهذه المادة لم يسمح بإتاحتها.
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001 1075362
044 |b العراق 
100 |9 271468  |a عبيد، عبدالمنعم جبار  |e مؤلف 
245 |a التناص في شعر أحمد مطر 
260 |b الجامعة المستنصرية - كلية الآداب  |c 2009 
300 |a 225 - 566 
336 |a بحوث ومقالات 
520 |b The research of (intertextuality) in the poetry is considered one of the important studies that refers to the poet’s originality, the depth of his culture and the good use to the different elements in his intertextuality. The nature of the creator is joined with previous creations works. we do not fined a music piece dislike all music or painting dislike the all. As the human cannot form his world alone without the influence of his society. as well as he can't make his creation separately. he need to previous creations in order to be in high spirit of creation. Ahmed Matter is a poet has large presence in the modem Arabic poetry. the poet represent the extent for the pioneers period in contemporary Arabic poetry. he has a group of poetic works which get about five hinderers pages and the (intertextuality) is available in his poetry from different resources such as Quran, poetry, and prose. Intertextuality with Quran can be divided into three parts: 1 .direct Quranic which is not modification. 2. direct Quranic which is modification. 3. indirect Quranic which is modification. We study this phenomenon on two levels, the first is called (Thurea of the text) that explain the text .and will be the key for it. the second is called (main structure) that represent the poem. intertextuality with Quran is so much in his poetry. Intertextuality with poetry that deals with the ancient Arabic and contemporary Arabic poetry. he benefits from both equality. he choose the famous lines and the meanings which is closed for himself and his Subject. Intertextuality with pros was very various such as prophet talking, popular story, speech, song, political speech, athletic. Either the shapes of intertextuality are three 1. external intertextuality 2. enternal intertextuality 3. musical intertextuality, he was very distinctive in this style . intertextuality is found greatly in all kinds of poetry. we cannot imagine any text or poem without intertextuality. no one has the ability to create a new thing as a pure. The linguistic concept of text don’t join with denotation meaning at the Arab because it depend on the a appearance and height and the concept of the text as a web in a west. The theft, quotation, object and implication don’t represent the roots for intertextuality concept. The origin of intertextuality in the modem concept is considered a western in its originality .the method to deal with the text and its resources is called (Altabanin) that means the difference among strictures. 
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700 |a خضير، سلافة صائب  |q Khudair, Sulafah Saeb  |e م. مشارك  |9 219494 
773 |4 الادب  |6 Literature  |c 029  |e Mustansiriyah Journal of Arts  |f Maǧallaẗ ādāb al-mustanṣiriyyaẗ  |l 053  |m ع 53  |o 0167  |s مجلة آداب المستنصرية  |v 000  |x 0258-1086 
856 |u 0167-000-053-029.pdf 
930 |d n  |p y 
995 |a AraBase 
999 |c 425896  |d 425896 

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